Consultation for parents “exercises for developing fine motor skills.” Exercises for developing fine motor skills of fingers Exercises for developing fine motor skills for adults

Exercises to develop fine and gross motor skills

Exercises for the development of tactile sensitivity and complexly coordinated movements of the fingers and hands.

1. The child puts his hands into a vessel filled with some homogeneous filler (water, sand, various cereals, pellets, any small objects). 5 - 10 minutes, as it were, mixes the contents. Then he is offered a vessel with a different filler texture. After several trials, the child, with his eyes closed, puts his hand into the offered vessel and tries to guess its contents without feeling its individual elements with his fingers.

2. Identification of figures, numbers or letters “written” on the right and left hand.

3 Identification of an object, letter, number by touch alternately with the right and left hand. A more complex option - the child feels the proposed object with one hand, and sketches it with the other hand (with open eyes).

4. Modeling geometric shapes, letters, numbers from plasticine. For children school age modeling not only printed, but also capital letters. Then recognition of the molded letters with eyes closed.

5. Starting position - sitting on your knees and on your heels. The arms are bent at the elbows, palms facing forward. The thumb is opposed to the rest. At the same time, with both hands, two slaps are made with each finger on the thumb, starting from the second to the fifth and back.

6. "Rubber band". For this exercise, you can use a hair elastic with a diameter of 4-5 centimeters. All fingers are inserted into the elastic band. The task is to use all your fingers to move the elastic band 360%, first to one side and then to the other. It is performed first with one hand, then with the other.

7. Roll the pencil between the fingers from the thumb to the little finger and back, alternately with each hand.

8. Game "Multi-colored snowflakes" (age - 4 years). Aimed at development fine motor skills hands, formation of accuracy.

Materials: felt-tip pens, white paper, scissors.

The presenter shows how to make snowflakes from sheets of paper by cutting them. After the children make many different snowflakes, he says that the snowflakes turned out, although different, but of the same color. Then the felt-tip pen friends came and gave the snowflakes colorful dresses. The presenter asks the children to color the snowflakes.

Because snowflakes are openwork, it is necessary that the paper be stronger. Painting movements affect the development of fine motor skills of the hands.

9. "Repeat the movement" (a variant of the game by B. P. Nikitin "Monkeys")

An adult, sitting opposite a child, makes some kind of “figure” with the fingers of his hand (some fingers are bent, some are straightened - any combination). The child must bring the fingers of his hand into exactly the same position - repeat the “figure”. The task here is complicated by the fact that he still needs to mirror it (after all, the adult is sitting opposite). If this task causes difficulties for the child, then you can first practice by doing the exercise while sitting next to (and not opposite the child). So it will be easier for him to copy the position of the fingers.

10. Drawing games.

If a child has poorly developed fine motor skills and finds it difficult to learn to write, then you can play games with drawing. For example, race to trace squares or circles or move through a labyrinth drawn in advance (the most interesting thing is when a child draws a labyrinth for a parent, and a parent for a child. And everyone tries to draw more intricately). Now on sale there are many different stencils of all kinds of geometric shapes and animals, but, in principle, they are easy to make yourself.

11. Games with household items.

The advantage of the games given below for the development of fine motor skills in children is that they do not require any special toys, aids, etc. The games use available materials that are found in any home: clothespins, buttons, beads, cereals, etc.

Take a bright tray. Scatter any small cereal on a tray in a thin even layer. Run your baby's finger over the rump. You will get a bright contrasting line. Let your child draw a few chaotic lines himself. Then try to draw some objects together (fence, rain, waves), letters, etc.

Choose buttons of different colors and sizes. First, lay out the drawing yourself, then ask your child to do the same on his own. After the child learns to complete the task without your help, invite him to come up with his own versions of the drawings. You can use a button mosaic to make a tumbler, a butterfly, a snowman, balls, beads, etc.

Give your child a round hair brush. The child rolls the brush between his palms, saying:

"At the pine, at the fir, at the Christmas tree
Very sharp needles.
But even stronger than the spruce forest,
The juniper will prick you."

Take the grate for the sink (usually it consists of many cells). The child walks with his index and middle fingers, like legs, along these cells, trying to take steps on each stressed syllable. You can “walk” alternately with one hand and then with the other, or you can do it with both at the same time, saying:

"We wandered around the zoo,
Each cell was approached
And they looked at everyone:
Bear cubs, wolf cubs, beavers."

Let's take the dumpling maker. Its surface, as you remember, looks like a honeycomb. The kid uses two fingers (index and middle) to depict a bee flying over a honeycomb:

"Fingers, like bees, fly through the honeycomb
And they enter each one with a check: what is there?
Will we all have enough honey until spring?
So that you don’t have hungry dreams?”

Pour 1 kg of peas or beans into a pan. The child puts his hands in there and imitates kneading dough, saying:

"Knead, knead the dough,
There is room in the oven.
They will be out of the oven
Buns and rolls."

Pour dry peas into a mug. For each stressed syllable, the child transfers the peas, one at a time, to another mug. First with one hand, then with both hands at the same time, alternately with the thumb and middle finger, thumb and ring finger, thumb and little finger. Any quatrains can be selected.

Place the peas on a saucer. The child takes a pea with his thumb and forefinger and holds it with the other fingers (as when picking berries), then takes the next pea, then another and another - so he picks up a whole handful. You can do this with one or two hands.

Two plugs from plastic bottles Place it on the table with the threads facing up. These are "skis". The index and middle fingers stand in them like feet. We move on “skis”, taking one step for each stressed syllable:

"We're skiing, we're rushing down the mountain,
We love the fun of cold winter."

You can try to do the same with both hands at the same time.

The child collects matches (or counting sticks) with the same fingers of different hands (pads): two index fingers, two middle ones, etc.

We build a “log house” from matches or counting sticks. The higher and smoother the log house, the better.

Using a clothespin (check on your fingers that it is not too tight), we alternately “bite” the nail phalanges (from the index to the little finger and back) on the stressed syllables of the verse:

"The silly kitten bites hard,
He thinks it's not a finger, but a mouse. (Change hands.)
But I'm playing with you, baby,
And if you bite, I’ll tell you: “Shoo!”

Take a rope (as thick as a child’s little finger) and tie 12 knots on it. The child, fingering the knots with his fingers, names the month of the year in order for each knot. You can make similar devices from beads, buttons, etc.

We stretch the rope at the level of the child’s shoulders and give him several clothespins. For each stressed syllable, the child attaches a clothespin to the rope:

"I'll pin the clothespins deftly
I'm on my mother's rope."

Starting from a corner, the child crumples a handkerchief (or plastic bag) so that it all fits in his fist.

The child rolls a walnut between his palms and says:

"I'm rolling my nut,
To become rounder than everyone else."

The child holds two walnuts in one hand and rotates them around one another.

12. Games - lacing by Maria Montessori:

Develop sensorimotor coordination, fine motor skills of the hands;
- develop spatial orientation, promote understanding of the concepts “above”, “below”, “right”, “left”;
- develop lacing skills (lacing, tying a lace into a bow);
- promote speech development;
- develop creative abilities.

Games with lacing also develop the eye, attention, strengthen the fingers and the entire hand (fine motor skills), and this in turn affects the formation of the brain and the development of speech. And also, which is not unimportant, Montessori lacing games indirectly prepare the hand for writing and develop perseverance.

It’s not just tiny kids who explore the world with their hands; toys that require the work of the hand and fingers are also useful for older children. Maria Montessori almost a hundred years ago gave her children pieces of leather with holes and laces - they develop their hands, teach them to concentrate, and will be useful in life. We, unlike Montessori, will not have to sit with scissors and rags. You can simply buy a “lacing game” - a set of multi-colored laces and a shoe, button, “piece of cheese” or some other wooden thing with holes. Sometimes they also come with a wooden needle. Can you imagine how nice it is for a girl to get a forbidden needle and thread and become “just like her mother.”

It should be remembered that the development of fine coordination of movements and manual skill presupposes a certain degree of maturity of brain structures; control of hand movements depends on them, so in no case should a child be forced.

How can we explain the fact that there are now so many lacing toys? After all, today’s parents did not have such toys in childhood, nevertheless, they grew up as normal people. There is a bewilderment, why is all this necessary?

It turns out that most modern children have a general motor lag, especially urban children. Remember, now even in kindergartens they ask you to bring shoes with Velcro, so that teachers do not have to take the trouble to teach the child to tie his shoelaces. Even 20 years ago, parents, and with them their children, had to do more with their hands: sort through cereals, wash clothes, knit, embroider. Now there is a car for each lesson.

A consequence of poor development of general motor skills, and in particular the hands, is the general unpreparedness of most modern children for writing or problems with speech development. With a high degree of probability we can conclude that if everything is not in order with speech, it is probably problems with motor skills.

However, even if the child’s speech is normal, this does not mean that the child is good at using his hands. If at the age of 4-5 years tying shoelaces causes difficulties for a child, and nothing can be molded from plasticine except balls and sausages, if at 6 years old sewing on a real button is an impossible and dangerous task, then your child is no exception.

Unfortunately, most parents learn about problems with coordination of movements and fine motor skills only before school. This results in an increased burden on the child: in addition to learning new information, he also has to learn to hold a pencil in his unruly fingers.

More than anything Small child wants to move, for him movement is a way of understanding the world. This means that the more accurate and clear the children’s movements, the deeper and more meaningful the child’s acquaintance with the world.

Development of gross motor skills

Exercises to increase activation levels.

These exercises increase the child’s potential energy level, enrich his knowledge about his own body, and develop tactile sensitivity.

1. Self-massage ears. The earlobe is pinched with the thumb and forefinger, then the ear is kneaded along the edge from bottom to top and back.

2. Self-massage of the lateral surfaces of the fingers.

3. With your fingers spread, clap your hands several times so that the fingers of both hands touch. Then the claps are performed with fists oriented with the back surface first up, then down, out, in.

4. Self-massage of the head. The fingers are slightly bent. With smooth stroking movements, both hands move from the ears to the top of the head.

5. Squeezing your hand with the palm of your opposite hand, massage it, moving your palm from the wrist and back, then from the shoulder to the elbow and back. Same with the other hand.

6. General foot massage. Stroking and rubbing thighs, calves, toes, feet.

This block of exercises can include different kinds general and acupressure massages, exercises to develop fine motor skills, walking barefoot on surfaces of various textures, etc.

Exercises aimed at regulating muscle tone.

The general principle of these exercises is strong muscle tension followed by relaxation.

1. "Boat". The child lies on his back, stretching his arms above his head. On command, he simultaneously raises straight legs, arms and head. The pose is held for as long as possible. Then perform a similar exercise while lying on your stomach.

2. Starting position - lying on your back, legs together, arms at your sides. The head is raised above the floor so that the child can see his toes. The pose is held for as long as possible.

3. I.p. - lying on your stomach, hands behind your head, elbows apart. The upper body rises, legs lie on the floor.

4. "Snowman". Starting position - standing. Children are asked to imagine that they are a freshly made snowman. The body should be very tense, like frozen snow. The presenter can test the strength of the “snowman” by lightly pushing him from different sides. Then the snowman should gradually melt, turning into a puddle. First the head “melts”, then the shoulders, arms, back, legs. Then the option to “melt” is offered, starting from the feet.

5. "Tree". The child sits on his haunches, his head is hidden in his knees, his knees are clasped with his hands. This is a seed that gradually germinates and turns into a tree. Children very slowly rise to their feet, straighten their torsos, and stretch their arms up. The body is tense, “the tree is reaching for the sun.” The “tree” should break due to a strong gust of wind. The child bends sharply at the waist, relaxing top part torso, arms and head, while Bottom part The torso should remain tense and motionless.

6. The child lies on his back, legs bent at the knees, feet on the floor, arms extended along the body. For a minute, the legs run, stomping heavily on the floor, the upper body and head remain motionless. After completing the exercise, the child lies relaxed with his eyes closed. The facilitator can conduct a relaxation session.

7. "Koschey the immortal." Starting position - sitting on the floor on your knees and on your heels (after mastering the exercise while sitting, you can move on to standing). Hands are spread to the sides. The arms are bent at the elbows and hang freely, while the shoulders and elbows are in a straight line parallel to the floor. If it is difficult for a child to perform this exercise, at the first stage you can help him fix the desired position using gymnastic stick. Next, the leader randomly pushes the relaxed part of one and the other hand, achieving their free swing.

8. "Puppets". Children imagine that they are puppets, being suspended by different parts of their bodies. The part of the body by which the doll is suspended is tense and does not move. Everything else is relaxed and hanging out. The doll begins to be pulled by the string at different paces.

9. "Fists". The child bends his elbows and begins to clench and unclench his hands, gradually increasing the pace. Performed until maximum wrist fatigue. After this, the hands relax and shake.

10. "Egg". For this exercise you need a fairly large, strong sheet that is spread on the floor. The child squats, hides his head in his knees and clasps his knees with his hands. The leader collects the sheet so that the child is in the “egg” and firmly holds the edges of the sheet above the “chicken’s” head, while starting to swing the “egg” from side to side. Rocking continues for 3-5 minutes until complete relaxation. Then the “chick” must “hatch out of the shell”, actively working with its head, elbows and trying to straighten its entire body. The presenter holds the child in the “egg” for 1-2 minutes.

Exercises for the development of gross motor skills, the formation of simultaneous and reciprocal sensorimotor interactions, a sense of the boundaries of your body and its position in space.

1. "Log". From a lying position on your back (legs together, arms extended above your head), roll several times, first in one direction, then in the other.

2. "Kolobok". Lying on your back, pull your knees to your chest, clasp them with your arms, pull your head towards your knees. In this position, roll several times, first in one direction, then in the other direction.

3. "Writing in the air." I.p. - lying on your back, arms extended forward in front of your chest. At the same time (in one direction), the hands “write” letters, numbers, and whole words in the air. The same technique is used when correcting writing - when missing letters, replacing them, “mirror” writing and other errors. In this case, at first the teacher can perform the necessary exercises together with the child, taking his palms in his own.
This technique also helps relieve the child’s fear of the school board or notebook.

4. Drawing on a board or sheet of paper with both hands at the same time. Both hands first move in one direction, then in the opposite direction. First, the child draws straight lines - vertical, horizontal, oblique, perpendicular; then various circles, ovals, triangles, squares.

5. I.p. - sitting on your knees and on your heels. Hands are on your knees. One hand clenches into a fist, thumb out. Unclenches. Clenches into a fist, thumb inward. Unclenches. The other hand is motionless. We change hands. The same with both hands together. Then the phases of movement shift (one
the hand clenches, the other simultaneously unclenches). If you master this exercise well, you can add movements of the tongue and eyes in various combinations.

6. I.p. - sitting on your knees and on your heels. Hands are on your knees. Alternately, each hand performs fist-rib-palm movements. After mastering, the same exercise is performed in a canopy, arms bent at the elbows.

7. And p. - sitting on your knees (standing). The arms are bent at the elbows. One hand performs a fist-palm movement, the other simultaneously performs a fist-edge-palm movement. After mastering, various oculomotor exercises are added.

8. I.p. - lying on your back, legs together, straight arms extended above your head. The right arm and right leg are bent, the elbow touching the knee. We return to IP. We repeat the same with the left hand and left leg. Then the exercise is done oppositely with the left leg and right hand and vice versa.

9. I.p. - lying on your back. Legs bent at the knees are on the floor, arms are folded in a boat and extended upward in front of you. We place our folded hands on the floor on one side of the body (while the hand on top “crawls” along the other hand), and the legs on the other side. At the same time we move our arms and legs in the opposite direction.

10. I.p. - lying on your back. Legs straight, arms to the sides. One leg bends at the knee, rises and moves outward (or inward), and places it on the floor. Returns to its original position. The same thing with the other leg. Then both legs work simultaneously.

11. I.p. - sitting on your knees (standing). For this exercise you need a tight, but not elastic, oblong object (a rag “sausage”). The presenter throws the object to the child, the child catches it, moving only his hands. Then the object must be caught with one hand. When the exercise is mastered, the child is given the task of alternately closing one or the other eye, catching the object with either the right or left hand.

12. From a lying position on your stomach, we depict a caterpillar: arms are bent at the elbows, palms rest on the floor at shoulder level; Straightening your arms, lie down on the floor, then bend your arms, raise your pelvis and pull your knees towards your elbows.

13. Crawling on your stomach. First, in flattish style. Then only on your hands, legs relaxed. Then only with the help of your legs, hands behind your back (in the last stages, hands behind your head, elbows to the side).

14. Crawling on your stomach using your hands. In this case, the leg rises vertically from the knee (simultaneously with the leading hand, then with the opposite one).

15. Crawling on your back without the help of arms and legs (“Worm”).

16. Crawling on all fours. Crawling forward, backward, right and left with the simultaneous advancement of the arms and legs of the same name, then the opposite arms and legs. In this case, the hands are first positioned parallel to each other; then they cross, that is, when moving with each step, the right hand goes behind the left, then the left goes behind the right, etc. When mastering these exercises, you can put the re
Place a flat object (a book) on the child’s shoulders and set the task not to drop it. At the same time, the smoothness of movements is practiced, and the awareness of the position of one’s body in space improves.

17. Practicing combined movements of the eyes, tongue, head, arms and legs when crawling on all fours.

18. "Spider". The child sits on the floor, places his hands slightly behind him, bends his legs at the knees and rises above the floor, leaning on his palms and feet. Steps simultaneously with the right hand and right foot, then with the left hand and left foot (the exercise is performed in four directions - forward, backward, right, left). The same, only opposite hand and foot are walking at the same time. After mastering, movements of the head, eyes and tongue are added in various combinations.

19. "Elephant". The child stands on all fours so that the weight is distributed equally between the arms and legs. Simultaneous steps with the right side, then the left. At the next stage, the legs are parallel, and the arms are crossed. Then arms parallel, legs crossed.

20. "Goslings." A goose step is practiced with a straight back in four directions (forward, backward, right, left). The same with a flat object on the head. After working out, multidirectional movements of the head, tongue, and eyes are included.

21. Step in place. The child marches in place, raising his knees high. The arms hang along the body.

22. I.p. - standing, straight arms extended forward. One hand palm up, the other down. The child begins to march, changing the position of his palms with each step. The same, but changing palms every step, then two. After mastering, various oculomotor exercises are added in various combinations.

23. I.p. - standing on all fours. The child straightens and lifts one leg above the floor, moving it first to one side, then to the other. The rest of the body is motionless. The same with eyes closed. After mastering, the opposite arm is extended forward simultaneously with the leg. Then the same name.

24. I.p. - standing on one leg, arms along the body. By closing our eyes, we maintain balance for as long as possible. Then we change legs. After mastering, you can use various finger and other movements.

25. "Swallow". I.P. - standing on one leg, the second leg extended back parallel to the floor, the torso tilted forward, arms to the sides. The same with eyes closed. Change leg.

26. “Log” on the wall. I.p. - standing, legs together, straight arms extended above your head, back in contact with the wall. The child makes several turns, first in one direction, then in the other so as to constantly touch the wall. The same with eyes closed.

27. Stand against the wall, feet shoulder-width apart, palms on the wall at eye level; move along the wall to the right (3-5 meters), and then to the left. The same with an additional step - the arms and legs of the same name move (arms parallel to the legs). Then opposite hands and feet. The same with a cross step with the arms crossed (the arms and legs of the same name move).

28. “Repeat the movement” (variant of the game “Monkeys” by B.P. Nikitin).

The leader (adult) makes some movements: squats, raises his hands up, claps his hands - and the children must repeat them after him. The pace of movements can be slowed down or accelerated. To also include attention training, you can introduce “prohibited movements” (a certain movement cannot be repeated), or “replacement movements” (when some movement must be replaced with another, for example, when the leader jumps, the children must sit down).

Exercises to develop spatial concepts.

1. "38 parrots". The child is asked to remember a cartoon about a baby elephant, a monkey and a boa constrictor. Then you are asked to measure several objects or distances using different parts of your body. Following this, the child is given small objects (letters, numbers) and asked to arrange them so that there is a distance between them in his palm, and from each of them to the edge of the table - his index finger. It is recommended to offer as many options as possible for the location of objects (at the distance of the foot, from the knee to the heel, from the elbow to the hand, etc.).

2. "Markers". The child’s left hand is marked with a bracelet, bell, bright cloth, etc.

3. Each direction is fixed with a certain movement. For example: “up” - jump, “down” - crouch, “right” - jump with a turn to the right, “left” - jump with a turn to the left.

4. "Mirror". The exercise is performed either in pairs with a leader or two children. At the first stage, the exercise is performed in a sitting position on your knees and on your heels. First, the leader makes slow movements with one hand, then with the other, then with both. The child mirrors the movements of the leader. When the exercise is mastered, you can move to a standing position and use movements of the whole body.

5. "TV". This exercise is similar to the previous one, only the movements are repeated with the same hand that the leader shows (if the leader takes the left ear with his right hand, the child also takes the left ear with his right hand).

6. "Find the treasure." There is a toy or candy hidden in the room. The child must find it, focusing on the leader’s commands (the leader says: “take two steps forward, one to the right...”, etc.). The item found by the child is given to him.

7. Graphic dictations on checkered pieces of paper.

8. Copying drawn figures of varying degrees of complexity.

9. The child makes plans (rooms, apartments, etc.)

10. The teacher draws a plan according to which the child must find an object in the room or building.

Group games.

1. Any games like “The sea worries once, the sea worries two, the sea worries three, the sea figure freezes in place.”

2. "Rhythm in a circle." Children sit in a circle on their knees and heels. The number of participants in the circle should not be a multiple of three. The first child claps his hands once, the next - twice, the next - three times, the next again once, etc. The leader sets a different pace of the game, changes the direction of the game (either clockwise, then counterclockwise).

Further the exercise becomes more complicated. Children sit in a semicircle. The teacher taps out a rhythm. Children repeat it on command (separately or all together). When the rhythm has been mastered, the children receive the command: “Let’s clap this rhythm as follows. Everyone in turn beats one clap of the given rhythm. From left to right. When the rhythm ends, the next one in the circle waits a short pause and starts over. And so on until the command “Stop” "Whoever is late with his clap, who fails to pause, or who makes an extra clap receives a penalty point."

3. "The Blind Sculptor." The driver is blindfolded. The teacher puts one of the participants in the game in any position. This is the sitter. The driver must feel the figure offered to him and “blind” exactly the same one (not a mirror one) from another child. Then you can increase the number of sitters (make sculptural groups of two to three people). It is very important that after finishing his work, the “sculptor” with open eyes can correct the mistakes made.

4. "Zoo". The child depicts various animals or birds. The rest of the group must guess the animal depicted.

5. Children stand in a circle; through one you have to squat, then jump, then bend over at a fast pace.

6. "Okay." Children stand opposite each other in pairs, arms bent at the elbows are raised to the shoulders so that the palms of both hands “look” at the palms of the partner. Children first clap with their own hands and return their hands to their original position. Then clap the partner's hands. Initial position. DIY cotton. I.p. Clap your partner's right hand with your right hand. I.p. DIY cotton.
I.p. Clap your partner's left hand with your left hand. Repeat the cycle, gradually increasing the pace, until one of the partners confuses the sequence.

7. Sketches for “Coordinated Actions”: sawing wood, rowing, rewinding threads, tug of war, playing with an imaginary ball, etc. Children need to constantly remember the coordination of actions and the appropriateness of the distribution of movements. These sketches are practiced first in pairs, then as a whole group.

8. "Claps." Children move freely around the room. On one clap from the leader they must jump, on two they must sit down, on three they must stand with their arms raised up (or any other movement options).

9. "Canon". Children stand behind each other in such a way that their hands rest on the shoulders of the person in front. Having heard the first signal (by agreement), the first child raises his right hand. At the second signal, the second child raises his left hand, at the third, the third raises his right, etc. Then, in the same way, the hands are lowered down.

10. "Pass the ball." The game is played in the form of a team competition. Children in each team stand behind each other's heads at arm's length. The first passes the ball to the second from above his head, the second to the third - from below between his legs, etc. Another option is to pass the ball from the side with the body turning either to the right or to the left. The third option is combined.

11. "Steam Locomotive". Children are divided into teams of 4-5 people, line up like a train at the back of each other's heads (the person standing behind holds the person in front by the waist). Everyone closes their eyes, except the first ones, who slowly begin to move. Their task is to carefully, silently drive the “locomotive”, avoiding obstacles without colliding with others; the task of the others is to “listen” as much as possible to the one standing in front, to most accurately repeat the changes in his movements, thereby ensuring accurate transmission of information to those standing behind.

At the teacher’s command, the children stop, the first one stands at the end of the locomotive, etc., until everyone has played the role of leader.

Complicating the exercise: children stand one after another on all fours, holding the one in front by the ankles. The right arm and right leg move simultaneously, then the left arm and left leg. The “lead” first gives commands out loud, then continues moving silently. The team whose movements were more coordinated wins.

12. Show of poems. A group member shows a famous poem or fable in pantomime, the rest must guess the name of the work.

13. Children are divided into two teams. The first child, with his eyes closed, feels the object or word of several letters offered to him (letters from the children's magnetic alphabet are used). Then, using pantomime, he shows the next team member what object was presented to him. The next child names this item to the third team member, who again shows it using pantomime
to the fourth, and the fourth, with his eyes closed, finds this object from those offered or makes up a word - the name of this object. Team members constantly change places. The team that correctly guesses the most items wins.

Fine motor skills are a physical process based on the combination of actions of the body’s musculoskeletal system and psychological control. The nervous system is responsible for carrying out this work, connecting the limbs to the brain center. The use of fine motor skills of the hands sometimes occurs unnoticed, at the level of the use of gestures during verbal communication. The development of motor skills is directly related to the development of speech; these sectors touch in the cerebral cortex.

Development of fine motor skills in children

With the birth of a child, mastery of the surrounding world and one’s own body begins. To stimulate the development of the baby, special toys are used. Suspended and floor attributes can be touched and tested for strength. By doing this, the child unconsciously trains his motor skills. Tactile sensations of roughness and softness of surfaces help improve the perception of the environment.

From the age of one, for a small motorboat you can use:

  • Cereals are poured onto the table, sorting through peas, transferring small objects from one vessel to another will improve coordination.
  • Plasticine and dough during the modeling process involve all the nerve endings of the fingertips.
  • Parents carry out hand and palm massages on their own, reciting poems about the magpie-crow and finger games.

Working on motor skills as an adult

In adulthood, the apparatus of motor functions must continue to be developed; stagnation of this activity leads to atrophy of brain cells. Everyday actions bring a beneficial effect, including: writing with a pen, pen, drawing. Working at a computer does not apply to this load. Good memory, delivered speech is also trained by hand massage.

There are points on the palm used to influence organs human body, stimulation of the surface of the hands activates impulses in the cerebral cortex. The saying of the German thinker “The hand is the brain leaking out” accurately conveys the importance of activities to develop motor skills of the limbs.

Activities that promote stimulation and motor development:

  1. Various types of needlework simultaneously stimulate both limbs and brain activity, focusing on small details. In the old days, all women were engaged in textile work and knitting, which helped maintain clarity of movements in old age. Bead embroidery and weaving stimulate the development of memory.
  2. To activate the necessary zones, men can turn to modeling technical objects (ships, cars, airplanes).
  3. A universal massage item is clay. The flexible structure affects the entire arm, involving the muscles of the wrist and hand.
  4. During the working day, you can do a number of exercises to strengthen motor skills by drawing in a notebook or notebook. The main rule for drawing exercises is orderliness. A series of repeating loops, oblique lines, will resemble a lesson in cursive primary school, will have a huge positive effect for fine motor skills.
  5. Finger gymnastics. A set of exercises for the phalanx of the fingers consists of flexion and extension. You can do this activity even on public transport. It is not necessary to select a specific sequence. To stretch your fingers, you can click your thumb on your middle finger, cross one after the other, or simply clench your fist.
  6. Universal warm-up product hand expander. This device has a round shape and fits easily in the palm of your hand. To use it, it is enough to periodically strain your fingers so that the ring shrinks.

Restoring hand motor skills after a stroke

Any injuries not only of a local nature, but also to the brain area cause harm to the entire body. A stroke attack has the same effect. Nerve connections human body stop working smoothly, the impulse is lost and does not always reach the intended place. People who have suffered from similar diseases suffer from difficulties in perceiving and reconstructing information, and impaired motor skills of the body, including the hands.

Rehabilitation centers help people with limited opportunity move. To perform a set of exercises, it is not necessary to resort to the help of specialists, including:

  • Gymnastic exercises. Unlike regular training, the recovery process is all about control. The limbs stop listening and may not respond to brain signals. Therefore, the main principle of training is to closely monitor the manipulations being performed, controlling them.
  • Creative activities. As in the classical versions, drawing, repeating lines, and stucco molding are very productive for the development of motor skills. In addition to this, the psychological aspect becomes important for a stroke survivor. Immersion in inner nature. Expressing your self through art.
  • Ball exercise. This technique is used in kindergartens and special institutions. Balls of different shapes help train dexterity by fixing an object with your hands. The ball is transferred from hand to hand and rolled on the table. There is self-massage with a sword, which will allow you to use several parts of the cerebral cortex at once, which are responsible for perception and execution of actions. Balls should be used from different materials: fabric, rubber, pimples.
  • Available means. For gymnastic exercises Take a few nuts and roll them between your palms. Everyday activities stimulate motor skills well and bring the brain into working order. A lamp, a TV remote control, an elevator button require concentration of thoughts.
  • High concentration will be required to sort through and collect small parts such as puzzles and mosaics. Working with them will constantly improve dexterity, memory, and fine motor skills.

The development of fine motor skills in children is of great importance.The development of fine motor skills in children directly determines the quality of life.Scientists have proven the close connection between the development of fine motor skills and the development of speech in a child.

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Development of fine motor skills of the hands. Games and exercises.

Fine motor skills are the ability of a person to perform small and precise movements of the hands and fingers and toes as a result of the coordinated actions of three systems: nervous, muscular and skeletal.The development of fine motor skills in children is of great importance. Why?

The area of ​​fine motor skills of the hands covers a huge number of different movements. Fine motor skills help us make both primitive gestures (for example, picking up objects) and fairly small and complex movements (for example, writing). A person’s handwriting depends on the degree of development of fine motor skills.

The development of fine motor skills in children directly determines the quality of life. A huge number of everyday activities are associated with fine motor skills: we have to fasten buttons and lace shoes, thread a needle. In addition, researchers have established a connection between the development of fine motor skills of the hands and the development of speech, so that the development of fine motor skills in children helps them speak faster and better.

Scientists have proven the close connection between the development of fine motor skills and the development of speech in a child.. It turns out that the speech center of the brain is located very close to the motor center, which is responsible for finger movements. If you stimulate the motor center responsible for finger movements, the speech center is also activated! Therefore, the development of fine motor skills is necessary for the rapid and correct formation of speech skills.

Unfortunately, in the last decade, the number of children with speech disorders and writing problems has increased significantly all over the world. Thirty years ago, the percentage of such children was much lower! What is the reason for this phenomenon? It’s just that in the old days there were no shoes and clothes with Velcro. But there were lace-up shoes, clothes with buttons, hooks and ties. The children tied their shoelaces, fastened buttons and hooks every day, thus training their fingers! After all, such movements require dexterity and the development of fine motor skills. And now the children are freed from complex process lacing the shoes and carefully fastening the buttons. It turns out that children’s fine motor skills used to develop due to such ordinary actions, but now they suffer. Accordingly, speech skills also suffer, and problems with writing appear, because motor skills and speech are closely related.

The development of fine motor skills in children is a natural process; it begins to develop in infancy on the basis of general motor skills. The child begins with simple grasping gestures, then learns to transfer an object from hand to hand, and masters the “tweezer grip.” At two years old, the child is already able to hold a spoon and pencil correctly and begins to draw.

You need to start working on developing fine motor skills from the very beginning. early age. Already an infant can massage his fingers (finger gymnastics), thereby influencing the active points associated with the cerebral cortex. In early and early preschool age it is necessary to carry out simple exercises, accompanied by a poetic text, do not forget about the development of basic self-service skills: buttoning and unbuttoning buttons, tying shoelaces, etc.

The task of teachers and child psychologists is to convey to parents the importance of games for the development of fine motor skills. Parents must understand: in order to interest the child and help him master new information, you need to turn learning into a game, not back down if tasks seem difficult, and do not forget to praise the child. We bring to your attention games for the development of fine motor skills, which you can practice both in kindergarten, and at home.

Finger training

Simple

  1. Clench your fingers into a fist and do circular movements brush to the left, then to the right, 4 - 5 times.
  2. Squeeze and unclench your fingers with force. 5 - 6 times.
  3. Straighten your fingers, move your thumb to the side and make circular movements with it, first to the left, then to the right. 4 - 6 times.
  4. Straighten your fingers, simultaneously bend and straighten the first two phalanges. 5 - 6 times.
  5. Spread your straight fingers, sequentially, in a fan-shaped movement, starting with the little finger, bend all fingers into a fist. Then, starting with the thumb, return to the starting position. 3 - 4 times.
  6. Clench your fingers into a fist. Try to straighten and bend each finger separately. Strive to ensure that others remain focused. The exercises are performed while sitting with your elbows on the table. Gradually increase the number of repetitions to 10 - 15 times. After finishing the gymnastics, you should shake your relaxed hands and do a massage.

Sets of exercises (rhymes)

  1. "Friendship"

“The girls and boys in our group are friends.”
The fingers are joined rhythmically into a lock.
“You and I will make friends with little fingers.”
Rhythmic touching of the same fingers of both hands.
"One two three four five".
Alternately touching the fingers of the same name, starting with the little fingers.
"Start counting again.
One two three four five.
We're done counting."
Hands down, shake hands.

  1. "Walk"

When performing this exercise, children sit in their seats and rhythmically, alternately, in jumps, move the straight fingers of both hands along the surface of the table from themselves to its opposite edge.

Let's go for a walk, fingers
the fingers are clenched into fists, the thumbs are down and seem to move along the table in jumps.
And the second - to catch up,
rhythmic movements of the index fingers on the table.
Third fingers - run,
movement of the middle fingers at a fast pace.
And the fourth - on foot.
slow movement of the ring fingers along the surface of the table.
The fifth finger jumped
rhythmically touching the table surface with the little fingers.
And at the end of the road he fell.
banging your fists on the surface of the table.

  1. "Little Men"

We ran along the river.
movement of the index and middle fingers along the surface of the table from oneself to the edge
Children race.
Repeat several times.

  1. "On a visit"

Visiting the big toe
thumbs up on both hands
They came straight to the house:
Palms together, fingers of the same name touching
Index and middle
alternately called fingers are connected to the thumbs on both hands at the same time.
Nameless and last
Little finger himself
fingers clenched into a fist, only the little fingers point up
He knocked on the threshold.
fists knocking against each other
Together fingers are friends,
rhythmic clenching of fingers into fists
They cannot live without each other.

  1. "Come on, brothers, let's get to work!"

"Come on, brothers, let's get to work!
Show your hunting.
For the big one, chop wood.
The stoves are all yours to light.
And you should carry water,
And for you to cook dinner,
And sing songs to the baby,
Sing songs and dance,
To amuse my siblings."

Children turn to their right hand, bent into a fist, and alternately straighten all fingers.

  1. "Scarlet Flowers"

"Our scarlet flowers
The petals are blooming,
The breeze breathes a little,
The petals are swaying.
Our scarlet flowers
The petals close
Quietly falling asleep
They shake their heads."

The palms are connected in the shape of a tulip, the fingers slowly open, then the hands are gently swayed, then slowly closed, taking on the shape of a flower, and the head of the flower is swayed.

  1. " Orange"

"We shared an orange,
There's only one orange.
This slice is for the cat
This slice is for the hedgehog,
This slice is for the snail,
This slice is for the siskin,
Well, what about the wolf’s skin!”

Start with the little finger, bend all fingers alternately.

  1. "Hide and Seek"

"The fingers played hide and seek
And the heads were removed.
Like this, like this
This is how the heads were removed."

Clenching and unclenching fingers.

Relaxing (self-massage of hands and fingers)

  1. Pressing tightly squeezed four fingers of one hand on the base of the thumb, the middle of the palm, the base of the fingers of the other hand. Then the position of the hands changes.
  2. Rubbing your palms with a hexagonal pencil with a gradual increase in effort.
  3. Rubbing your palms with up and down movements.
  4. Rubbing the lateral surfaces of clasped fingers.
  5. Kneading, then rubbing each finger lengthwise, then crosswise.
  6. Place the walnut between your palms and make circular movements, gradually increasing the pressure and pace. You can do the exercise with two walnuts, rolling one over the other, with one hand, then with the other.
  7. Pressing with an unsharpened pencil on pain points palms, then rotate the pencil to the right, left.
  8. Kneading the right hand with the fingers of the left and vice versa, then rubbing alternately.
  9. Nowadays there are many games on sale that specifically develop relevant skills. But there is nothing easier than using improvised means that are available in any home. So, a few exercises to develop fine motor skills:
  10. "Rubber band" . For this exercise, you can use a hair elastic with a diameter of 4-5 centimeters. Fingers are inserted into the gum. The task is to use all your fingers to move the elastic band 360%, first to one side and then to the other. It is performed first with one, then with the other hand.
  11. "Kalyaki-malyaki ". Take a tray and scatter small grains on it (for example, semolina). You can’t think of a better board for drawing. First, the adult draws lines on the “board”, and the child repeats. Let these be very simple shapes: squares, circles, zigzags. Snowman , house, sunshine.
  12. " The sun is smiling". Exercise by Maria Montessori. We cut out a circle from thick paper and draw a smiling sun on it. We buy a large number of colored paper clips and attach them around the perimeter. You can play with colors: for example, string a yellow paper clip first, then a green one, then a red one. Or 3 yellow, 3 green, and so on. This is where counting is added to the exercise. Explain to your child why the sun smiles: it is happy because they play with it.
  13. "Mosaic "Collect buttons of different colors and sizes. They can, firstly, be sorted by diameter, color and texture (smooth-rough). Secondly, they can be used to make pictures and lay them out on a sheet of paper different figures. The result is a button mosaic. Boys can be interested in purely “male” games.
  14. For example, screw nuts onto bolts or press buttons on an improvised control panel (you can take an old, used TV remote control without batteries). If you want, imagine that you are a driver, or an airplane pilot or a tank driver.
  15. Games accompanied by short rhythmic poems are very useful. For example:
  16. We stretch the rope at the level of the child’s shoulders and give him several clothespins. For each stressed syllable, the child attaches a clothespin to a rope: “I will deftly pin the clothespins onto my mother’s rope.”
  17. We take a sink grate, which consists of many “cells”. The child walks with his index and middle fingers, like legs, along these cells, trying to take steps on each stressed syllable. You can “walk” alternately with one or the other hand, or you can do it with both at the same time, saying: “We wandered around the zoo, We approached each cage, And we looked at everyone in a row: Bear cubs, wolf cubs, beaver cubs.”
  18. Drawing and modeling occupy a special place in games for developing motor skills. A little artist can begin his creative activity by drawing with oil pastels. If you don't find it on sale, wax crayons will do. They will help the baby learn to hold a chalk with two fingers (and then holding a pencil is just a stone's throw away).
  19. Draw various shapes: lines (straight and wavy), circles, ovals, squares and triangles, paint over them. If it doesn’t work, first take the baby’s hand in yours and help him. The paper should be quite large, say A3, so that the baby does not miss it. Over time, you will switch to felt-tip pens and paints.
  20. You can sculpt from plasticine, or you can from dough. Dough is definitely much safer. At first you can sculpt unintelligible “lumps”, then simple figures and letters. Over time, learn to recognize the sculpted letters by touch. You can stick various small objects into the dough: grains, peas, the same buttons.
  21. In the development of fine motor skills, the same rule applies as in the development of other skills: more games, less coercion. And regularity. You shouldn’t indulge the capricious “I don’t want, I won’t.” You'll have to show your diplomatic skills. Be patient, persistent and wise.

But even without extra expenses, you can provide your child with the necessary education. All available means will be used:

  1. Cereals (it’s so nice to put your hands in a bowl of beans! And if some kind of toy is waiting for the baby at the bottom, it’s even doubly so! Preschoolers can be instructed to sort and sort through various cereals)
  2. Natural materials: acorns, chestnuts, pine cones, pebbles, shells, sticks
  3. Kitchenware
  4. Various containers, vials, boxes
  5. Zippers, laces, ties, threads, ropes, fasteners, buttons, fabrics of various sizes, shapes, colors and textures
  6. Beads and rings are very interesting to string on braid
  7. From matches, cotton swabs and toothpicks, you can lay out various drawings (of course, under the supervision of parents)
  8. Boys will especially appreciate bolts and nuts, as well as broken technical devices (ordinary and cell phones, calculators). And girls will benefit from dressing and undressing their favorite dolls.

What child doesn’t like to stick and peel magnets on the refrigerator? This activity can be varied according to your wishes and capabilities. Also allow them to eat small foods with their hands (peas, corn, berries), peel boiled eggs, jacket potatoes, tangerines. It will be very fun to put paper clips on cardboard or clothespins on a rope. In general, it is useful to involve children in household responsibilities and teach them to help with cleaning around the house:

  1. Sweep and collect trash and mop floors.
  2. Collect specks from the floor, help collect objects scattered on the floor (buttons, carnations, beans, beads).
  3. Disassemble split walnuts (kernels from shells), peel pistachios, peel off the film from roasted nuts.
  4. Make cookies and decorations for the pie from the dough.
  5. Open the mailbox or front door with a key.
  6. Try to put on your shoes, dress yourself, as well as take off your shoes and undress. To do this, some shoes and clothes should be available to the child so that he can dress up whenever he wants. Learn to put on gloves yourself. Try lacing your sneakers.
  7. Help winding threads or rope into a ball (this activity also has a beneficial effect onvision) .
  8. Hanging laundry (you need to pull the rope for the child).
  9. Help parents unscrew various caps - water cans, bubble baths, toothpaste, etc.
  10. Pick berries at the dacha or in the forest.
  11. Get something out of a narrow gap under a cabinet, sofa, between furniture.
  12. Look for the edge of the tape. Peel and stick stickers.
  13. Turning the pages of a book.
  14. Sharpen pencils (with a sharpener) and erase what you draw with an eraser.

Important rules in the process of developing fine motor skills in children

  1. Classes should resemble a game, not lessons at school. You can come up with some along the way funny story or even a fairy tale.
  2. Games and activities should be systematic. Even while walking, you can massage your baby’s hand or pick up beautiful pebbles and leaves.
  3. During the game, talk to your baby more, conduct a dialogue, act out scenes.
  4. It is important that the child likes both the toys and the process itself - take care of this. And also sincerely show that this also brings you incredible pleasure.
  5. You can't force a little student. Give him the right to choose. Perhaps he wants to draw, not sculpt - listen to his wishes.
  6. Choose games and activities that are appropriate for your child’s age and development.
  7. Try to try as many different ways as possible to develop fine motor skills.
  8. But under no circumstances do everything at once.
  9. Don’t forget to praise your child for every success - criticism in this matter is absolutely inappropriate!
  10. Control the time - it is individual for each child. Don't overstay your welcome and don't overwork him.
  11. And do not limit children in showing initiative and imagination!

Try to ensure that in preschool age your child can confidently do the following:

  1. draw using small details in images;
  2. color without going beyond the outline and leaving gaps;
  3. cut out large polygonal shapes;
  4. sculpt small parts from plasticine;
  5. fasten and unbutton buttons;
  6. dress and put on shoes;
  7. lace up shoes and tie shoelaces, fasten zippers;
  8. pour milk from a carton into a cup;
  9. wash your face and brush your teeth.

Remember that any learning process requires a lot of patience and work. Be wise, attentive and loving parents. Do not neglect the time that is passing away forever - use it wisely. It’s such a joy to watch your child grow and develop! And take a direct part in this exciting process!


If you are attentive parents, intently scanning the information space for effective methodology teaching a preschooler, then, without a doubt, we have already heard about the need to develop fine motor skills in children. However, today even those who do not particularly delve into “children’s topics” have heard a lot about fine motor skills.

Development of fine motor skills: justified necessity or fashion trend?

Let us remind you that thanks to active training of the small muscles of the fingers and hands, the following develop:

  • articulatory apparatus and sound recognition system;
  • attention and memory;
  • intelligence;
  • imagination.

To develop fine motor skills, a lot of ready-made games and toys are offered. One may get the impression that an entire industry is dedicated to this area of ​​educating children in the first years of life.

But our mothers and fathers, like their mothers and fathers, and entire generations of mothers and fathers before them, somehow raised their offspring without lacing, busy boards, sorters and other insert frames. Ordinary cubes with a pyramid were enough, and the lucky ones had a simple mosaic at home. So, maybe all these tricks and wisdom are of no use to our children? We authoritatively declare: “Why!”

We, and especially the generations before us, were raised in completely different conditions:

  • We had shoes with laces, which we famously dealt with already in younger group kindergarten. Today, even 8-10 year olds have problems with basic shoelaces.
  • Our parents and grandparents didn't have computers or smartphones. Even TVs literally 25–30 years ago were not in every family. Families spent their leisure hours doing needlework: mothers knitted and embroidered, fathers planed and soldered. Well, of course, we adopted their passion and also tried to create something with our own hands.
  • Our parents did not have so many electronic assistants - multicookers, food processors, robotic vacuum cleaners, automatic washing machines and other delights of modern civilization. They (the generations of parents preceding us) were forced to work hard around the house, and we were forced to help them no less diligently: sorting out cereals, digging up beds, sweeping, etc.

Nowadays, children are protected from homework for as long as possible. Their clothes have Velcro and zippers. They have fun watching cartoons or playing computer games. Where is the finger work? There is practically no place for it in the natural environment of a modern child. Therefore, it is important to consciously introduce small exercises for the development of fine motor skills into the daily routine. What exercises are suitable for this purpose? Eureka knows!

Simple and effective exercises for developing fine motor skills

Exercise 1: Hand massage

Already a newborn baby can and should stretch his hands. Knead and stroke your palms, gently pinch the skin, stretch the joints and make rotational movements with them. All manipulations should be easy, without excessive zeal. You can say nursery rhymes. The most popular, of course, is the “magpie-crow”. But she is far from the only one. You can come up with simple rhymes yourself or use ready-made ones. For example:

  1. Let's stroke the hand with our hand,

Let's rub our finger with our finger,

Let's take a little rest,

And then we'll start again.

2. Little finger, where have you been?

I went to the forest with this brother,

I cooked cabbage soup with this brother,

I ate porridge with this brother,

I sang songs with this brother.

Exercise 2: Finger gymnastics

The purpose of the lesson is to train fingers, develop hands, and learn to coordinate actions. The exercises can be anything. The very first and simplest, available to babies of 5-6 months, are “ladushki”. When saying a funny rhyme, play together with your baby: fingers are as straight as possible, pressed against each other. Palms hit each other in time with the words of the nursery rhyme:

Okay, okay!

Where were you? By Grandma!

What did they eat? Porridge,

What did they drink? Mash!

Okay, okay,

We're going to grandma's again!

Let the baby tap his fists on different surfaces, bend and straighten his fingers, spread them out and stretch his palms up, “run” his fingers on the table, and make circular movements with his hands.

Closer to three years, you can give your child a finger theater, which will give such gymnastics a new meaning.

Exercise 3: Working with paper

Folding paper figures without scissors and glue (origami), as well as creating pictures using glue and cut-out paper elements (appliqué) is a great way to develop fine motor skills at any age from three years and older. In early childhood, the skills necessary for these creative activities are still lacking. Therefore, you can invite the baby to simply tear the paper.

Tearing can be done as early as 7-8 months. The main thing is to explain that you can only tear up those pieces of paper that your parents give you.

To give meaning to this activity, you can create some crafts yourself from scraps:

  • a simple postcard;
  • Christmas tree toy;
  • panel

With an older child - one year or more - the paper can still be turned over. Children's books or glossy magazines are good for this. Make sure your baby carefully grabs the pages with his fingers, turning them over one after another. This seemingly very simple exercise causes a lot of difficulties for kids.

Exercise 4: “Cinderella”

Remember, in the fairy tale “Cinderella,” the evil stepmother forced the main character to sort out lentils and peas (depending on the version of the fairy tale, translation and film adaptation, the cereals may vary, but that’s not the point now). Of course, you love your child. And, unlike the evil new wife of Cinderella’s dad, it is out of love that you invite the little one to repeat the feat of the forcedly hardworking girl.

You can sort through different items:

  • multi-colored beads: red - to the left, blue - to the right;
  • different-sized buttons: large ones - in a jar, small ones - in a box;
  • clothespins of different textures: wooden - on the table, plastic - under the table...

Get creative and enjoy a creative approach to early development.

Exercise 5: Hide and Seek

Play hide and seek with your baby. But it’s not you or the child who will be hiding. You need to hide any small object - a pea, a bead, a small ball, etc.

For this game exercise, prepare several jars with screw caps. Jars can be different sizes, different colors, from different materials. The baby needs to carefully take a pea (or an alternative object) with his fingers, place it in a jar and close the jar with a lid. Believe me, a child aged 10 months and older can be captivated by this activity for a very long time.

At first, the handles will be naughty: every now and then the pea tries to jump out and roll away, and the harmful lids just don’t want to be screwed on. But be patient and encourage your little one to try again and again.

  • Let him hide small candies from Varya’s doll - if Varenka finds a candy, she will eat it and her teeth will hurt. We need to save Varya and hide the candy.
  • You can hide the seed from Mr. Rain (draw a thundercloud and rain on a white sheet). If Mr. Rain finds a seed, he will get it wet, and the seed will not be able to grow.
  • Rich Orange is looking for little Bean to force her to work as a farm laborer, and we will save Bean. Let's hide it in the house and close the house with a lid.

Come up with interesting stories with your child’s favorite toys and fairy-tale characters familiar to him. This will make the exercise more fun, which means its effectiveness will significantly increase.

  1. Exercises to develop fine motor skills should be organically woven into the fabric of every day of a child’s life. For a newborn, you independently stretch the arms and legs. As the child grows older, he works more and more actively on his own small muscles.
  2. You may not use all of the suggested exercises. You can change the conditions of the games to develop fine motor skills. You can do several exercises daily or devote the entire class time to just one exercise. The main thing is that the child’s fingers and arms work, train, and the child himself perceives what is happening as an interesting game.
  3. Combine different directions early development. By working on fine motor skills, you train memory and attention: your baby needs to repeat your movements, fold pieces of paper according to a pattern, or remember a fairy tale whose characters you used for a game to develop fine motor skills.
  4. During massage and gymnastics, be sure to talk to the baby, even if the baby is only a few days old. It is very important that from birth a little person is surrounded by correct speech. Speak in a soft, affectionate, emotional voice, but do not distort the words, do not imitate the non-existent “children's language”. During the massage, smile at the child and “make faces”, sing and recite rhymes. The more actively you interact with a fool, the sooner you will notice how smart and quick-witted he really is.

Happy parenting, friends!

Introduction

My little friend, remember the moves!

And with us

Learn to move without tension.

Our fingers need training

Everything will work out so smoothly!

Of course, you have to work hard.

But it will be easier to study later.

Any work will be controversial.

You will say: “Thank you for your concern!”


Currently, a significant proportion of children have weak development of visual-motor and auditory connections, insufficient development fine motor skills, graphic skill. A study of the level of development of fine differentiated movements of the fingers and hands in children studying in the first grade shows that many of them have hand movements that are not focused enough and are poorly subordinated to the tasks of the activity. The complexly coordinated movements of the leading hand are especially poorly developed, and the ability to use a pen or pencil as a working tool is poorly developed. As a consequence of this, mastering objective actions causes great difficulties. Timely development in children of fine motor skills, precise coordination, the formation of a synthesis of visual, auditory and kinesthetic information in them ensures rapid and proper development reading and writing skills.

This book is devoted to the problems of developing fine motor skills, dexterity, coordination and mastering objective activities. It offers both developmental and correctional-developmental exercises and tasks that help prepare the hand as a direct tool of graphic activity to perform precise and complex movements. The implementation of these exercises allows you to develop and improve precise movements of all parts of the arm: shoulder, forearm, hands and fingers, and also improves overall coordination and dexterity of movements.

In addition, the book describes outdoor games that promote the development of motor dexterity and activity, which are the basis of a full-fledged physical development child.

Section 1. Preparing your hand for writing. Development of fine motor skills


The accuracy of graphic actions is ensured through muscle control over fine (fine) motor skills of the hands. This is the dexterity of the fingers and hands, the coordination of their movements. The development of fine finger movements can be judged by watching how a child draws or paints over the details of a drawing. If he constantly turns the sheet and cannot change the direction of the lines with the help of subtle movements of his fingers and hand, it means that the level of development of fine motor skills is insufficient.

Test for the development of graphic skills

The child is given a piece of paper in a box, on which an adult (teacher or parent) writes on the left side a sequence of the same type of graphic elements: two large - two small - two large - two small and suggests continuing this “pattern” to the end of the line. The test results are assessed according to 6 parameters, for each of which 1 or 0 points are assigned, then the points are added up.


Evaluation of test results

Points


1. The nature of the lines is smooth, straight, even pressure - 1, uneven, trembling, double, curved - 0.

2. The size of the elements corresponds to the standard - 1, does not correspond to the standard - 0.

3. The shape of the elements corresponds to the standard - 1, does not correspond to the standard - 0.

4. The slope corresponds to the standard - 1, does not correspond to the standard - 0.

5. Deviation from the stitching is insignificant: (no more than 30) – 1, significant – 0.

6. Sequence of elements: correctly reproduced sequence of large and small elements - 1, incorrectly reproduced sequence of elements - 0.

Result 6–5 points indicates that the child’s graphic skills are quite well developed.

Result 4–3 points– the child has some difficulties in performing graphic movements; it is necessary to select exercises to correct those components of the graphic skill that are poorly developed.

Result 2–0 points– graphic skills are very poorly developed; serious difficulties are possible when learning to write at school.

The low level of development of graphic skills is the cause of a number of difficulties in learning to write:

1) low writing pace;

2) fatigue when writing;

3) uneven, “trembling” line;

4) “angular” writing, difficulties in writing ovals;

5) too much pressure;

6) difficulties in reproducing the shape of graphic elements;

7) non-compliance with the size of graphic elements;

8) non-observance of the inclination of the letter;

9) a large number of blots and corrections, “dirty” writing;

10) reluctance to perform written exercises.

To develop graphic skills in a child, it is necessary to teach him using the system special exercises. The main content of classes to prepare the hand for writing should be the development of small muscles and differentiation of movements of the hands and fingers, i.e., the formation of functional (physiological) readiness for the graphic activity of writing.

To develop graphic skills you should use:

Graphic dictation;

Drawing lines: straight paths, curly paths;

Drawing: by points, by contours, by cells;

Performing hatching: with different directions of hand movement, silhouette hatching.

To develop fine motor skills of the hands you should use:

Finger gymnastics;

Exercises for mastering objective actions. By performing various types of tasks, the child gains experience in graphic movements. In this case, it is necessary to immediately teach the child the correct methods of action: to draw a line from top to bottom and from left to right, to be able to make lines of various thicknesses and shapes, to hatch evenly and without spaces, without going beyond the contour. At 6–7 years old, a child should learn to perform the following types of hatching: straight vertical strokes (from top to bottom), horizontal (from left to right), inclined, balls (circular movements of the hand, imitating winding and unwinding of a thread), semicircles (fish scales, roof tiles etc.), large loops. Particular attention should be paid to making lines of complex shapes with one movement of the hand (ovals, circles, wavy and broken lines). The lines must be drawn without taking your hand off the paper; When completing a task, you cannot change the position of the sheet or notebook. You should pay attention to the correct seating at the table. You need to start by performing simple tasks and gradually increase their complexity, increasing the lesson time from 10 to 15–20 minutes. After this, you should definitely take a break, during which you can perform finger exercises or exercises for the development of objective actions with your child.

Regular lessons with your child will ensure correct and beautiful writing.

In addition, there is a close connection between the coordination of fine movements of the fingers and speech. Research shows that the development of fine motor skills of the hands is a necessary condition for the development of a child’s speech and thinking.

Graphic dictations

They are performed on squared paper under the dictation of an adult. The child is asked to draw a line as follows:

1. Two cells to the left, two cells up, two cells to the right, two cells down, two cells to the right, two cells up, two cells to the left.

2. One cell to the right, one cell up, one cell to the right, one cell up, one cell to the right, one cell up, one cell to the right, one cell up, one cell to the right, one cell down, one cell to the right, one cell down, one cell to the right, one cell down, one cell to the right, one cell down, one cell to the right.

3. One cell left, four cells up, three cells right, four cells down, one cell left, three cells up, one cell left, three cells down.

4. One cell left, three cells up, two cells left, one cell up, five cells right, one cell down, two cells left, three cells down.

5. One cell down, five cells to the right, one cell up, five cells to the left, three cells up, five cells to the right, three cells down.

6. Four cells up, two cells to the right, one cell up, one cell to the right, one cell down, two cells to the right, four cells down, two cells to the left, one cell up, one cell to the left, one cell down, two cells to the left.

7. One cell up, four cells to the right, four cells up, one cell to the right, four cells down, four cells to the right, one cell down, nine cells to the left.

8. One cell to the right, seven cells up, one cell to the right, five cells down, three cells to the right, five cells up, one cell to the right, seven cells down, one cell to the right.

9. Four cells up, one cell to the right, three cells down, five cells to the right, three cells up, one cell to the right, four cells down, seven cells to the left.

10. Five cells up, three cells to the right, two cells down, five cells to the right, one cell down, five cells to the left, two cells down, three cells to the left.

Drawing lines

Straight tracks

The child is asked to draw a line in the middle of a straight path without moving off it or lifting the pencil from the paper.



Curly tracks

– The child is asked to draw a figured path, connecting the hatching line. When walking along the path, the child should try to follow all the bends and turns of the lines as accurately as possible.

As in the previous task, the pencil should not come off the paper, and the sheet should not turn over during the task.


– The child is asked to draw a line in the middle of the figured path. When completing a task, you must pay attention Special attention the fact that you cannot touch the walls (especially in labyrinths), the line should go in the middle of the path. The pencil does not come off the paper, and the sheet of paper does not turn over.


Drawing

By points

The child is asked to connect the dots according to the instructions below the picture. The tasks should be completed as follows: the pencil or pen does not come off the sheet of paper, the sheet is fixed, and its position does not change.

Draw a figure using dots, as in the example.


Along the contours

The child is asked


Connect the dots to create a complete drawing.


Connect the dots to create a complete drawing.


Connect the dots to create a complete drawing.


Connect the dots to create a complete drawing.


Connect the dots to create a complete drawing.


By cells

On checkered paper, the child is asked to continue the pattern according to the given pattern.



The child is asked to complete the drawing one by one.



The child is asked to complete the drawing one by one.



The child is asked to draw a picture on a piece of checkered paper according to a given pattern.



Performing hatching

Hatching with different directions of hand movement

The child is asked to perform various types of shading according to patterns: vertical (from top to bottom), horizontal (from left to right), inclined, “balls” (circular movements of the hand), semicircles. Lines of complex shapes must be made with one movement of the hand. The hatchings should initially be large; as the child acquires the skill to perform them, their size decreases. In this case, you need to pay attention to the decrease in the amplitude of movements of the hand.


Silhouette shading

The child is asked to copy the drawing, shading according to a given pattern.


Copying patterns

Children are invited to carefully analyze and copy patterns of beautiful “carpets” (there is an individual sample on the table in front of each child) and copy them as accurately as possible. After copying the patterns is completed, you can arrange a collective analysis and select the most accurate copies that are closest to the original.


Finger gymnastics for the development of fine motor skills of the hands

Games and exercises with fingers are presented in literary sources in different options: folk with speech accompaniment, author's based on poetry and without them. The advantages of such games include their simplicity and versatility, the absence of any special attributes for playing, and safety. Typically, all of them are simple in technology, but at the same time, when used regularly when working with children, they provide good workout fingers and preparing the muscles of the hand for writing. Usage finger games and exercise has a nonspecific tonic effect on the functional state of the brain and the development of speech in children, causing them an emotional uplift and a release of neuropsychic tension. Particular attention should be paid to ensuring that children practice different actions (squeezing, relaxing, stretching the arm muscles), and also practice performing isolated movements with each finger of both hands.

Finger gymnastics is performed by a child as a repetition of what an adult does, so you should first master these exercises without a child.

1. Palms alternately hit the edge of the table.

2. Hands are extended forward, fists clench and unclench.


3. Alternately, the fingers are bent first on the left and then on the right hand. At the end of the exercise, your fingers should be clenched into fists.


4. Both palms are on the table. One of the palms is clenched into a fist, while the other remains motionless. Next, the palm that remains on the table clenches into a fist. At the same time, the palm that was clenched into a fist straightens. After this, the task is played back 5-6 times in a row at a fast pace. Make sure that when performing this exercise your fingers do not spread out, but remain tightly pressed to each other.



5. Palms facing down. Both hands simultaneously simulate a wave-like movement uphill (up) and downhill (down).


6. Both palms are clenched into fists, thumbs are raised up, and circular movements are performed with the thumbs.


7. Fingers clasped together. The ends of the fingers of the left hand press on the upper part of the back of the palm of the right hand, bending it so that the fingers of the right hand stand up like a cockscomb. Then the fingers of the right hand are pressed on the back of the left hand, and the fingers of the left hand turn into a cockscomb.


8. The arms are extended forward, the fingers are spread out, tense as much as possible, and then relax, the arms are lowered and shake them slightly.


9. On one - the pads of the fingers are pressed to the top of the palm, on two - the fingers quickly straighten and spread out.


10. The forearm is vertical, the palm is at a right angle, all fingers are pressed. Rotation of the hands away from you and towards you.

11. Hands clenched into fists, thumbs extended upward, bent and unbent. The same exercise is done with all the other fingers: index, middle, ring, little finger.



12. Hands are placed on the edge of the table and turn into five-fingered animals. At a signal, the animals rush to the edge of the table, moving their fingers like legs.


13. Both palms are on the table. Right - down, left - up. On command, the palms change places: right - up, left - down.


14. Hands are clasped at the elbows, holding the hands in front of the face. Bend and straighten your fingers at the same time, without clenching them into fists.


15. Fingers intertwine, palms join and squeeze as tightly as possible. Then they lower their hands and shake them slightly.


16. Palms are placed vertically to each other and closed. Then the palms open.


17. Alternately, the fingers are pressed against the thumb, forming a ring with it.


18. Hands clench into a fist, extend the thumb up and begin to rotate it, first in one direction, then in the other direction. The same is done with other fingers: index, middle, ring, little finger.


19. The fingers of both palms are intertwined and pressed into the lock. Then the fingers straighten and close again into the lock.


20. Hands clenched into fists, index and middle fingers extended, as if forming two pairs of scissors. Then they start cutting imaginary paper with them.


21. Hands are joined into a lock and pulled in different sides.

22. Interlock their thumbs and pull their arms in different directions. The same is done for other fingers: index, middle, ring, little finger.


23. The fingers of both hands are folded with their tips together. They clap with the tips of their thumbs. The same for the index, middle, ring and little fingers.


24. The left palm is vertically upward, with a fist attached to its lower part. Then the position of the hands changes.


25. Alternately bend the fingers to the palm, starting with the thumb. Then the fingers are straightened one by one, starting with the thumb.


26. Fingers clenched into a fist, index finger and little finger extended. As you move forward, you should move your fingers slowly.


Formation of the ability to switch from one motor pattern to another.


Mastering subject actions

To develop fine motor skills of the hands, you can use exercises using sports equipment. For children with insufficiently developed fine motor skills, mastering object actions causes significant difficulties. Depending on the child’s individual capabilities and the stage of work on mastering movements, you can vary the nature of manipulations with objects, use techniques such as shifting, tossing, catching; change the pace of work and the degree of its complexity, the number of objects simultaneously involved in the work.

If it is difficult to perform exercises with a ball, you can temporarily replace the ball with a small bag with weights (sand, grain, etc.). After the child has mastered the listed exercises with a bag, you can repeat them using a ball.

Formation of the ability to switch from one motor pattern to another.

Developing the ability to correctly hold a pencil or pen, put it in a box, open and close the box, etc.

Developing the ability to put books, notebooks, pencil cases, rulers, paints, and albums into a briefcase.

Carrying out games consisting of a number of actions, for example, catching a ball, throwing it to a friend, running back to a circle drawn on the floor.

Section 2. Development of interhemispheric interaction

The formation and development of functional asymmetry of the hemispheres begins to occur from an early age under the influence of a complex of biological and sociocultural factors. At the same time, the innate prerequisites for the development of one or another type of asymmetry are only prerequisites, and the asymmetry itself is largely formed in the process of individual development under the influence of social contacts. Functional asymmetry of the hemispheres is expressed in the difference in the distribution of neuropsychic functions between the right and left hemispheres.

Functional asymmetry of the hemispheres is one of the reasons for the existence of a certain structure of the psyche. Associated with it are such psychological oppositions as concrete-figurative and abstract-logical thinking, flexibility and rigidity, etc. The varying degrees of expression of these mental properties, already largely represented in a six-year-old child, forms a tendency to preferentially rely on the “left hemisphere” ", "right-hemisphere" or "equal-hemisphere" types of thinking.

Left hemisphere type. The left hemisphere operates with words, conventional signs, symbols; responsible for invoice, letter; provides the ability to analyze, abstract, conceptual and two-dimensional thinking. Information received in the left hemisphere is processed sequentially, linearly, slowly. The dominance of the left hemisphere determines the tendency to abstraction and generalization, the verbal-logical nature of cognitive processes, verbal, theoretical intelligence.

For successful educational activities, the following conditions must be met: an abstract linear style of presenting information, analysis of details, repeated repetition of material, silence in the lesson, the ability to work alone, closed questions, timeless assignments. Such children are characterized by a high need for mental activity.

Right hemisphere type. The right hemisphere operates with images of real objects and is responsible for orientation in space and the perception of spatial relationships. Provides synthetic brain activity; visual-figurative, three-dimensional thinking associated with a holistic representation of the situation and the changes in it that are desirable to obtain. Information received in the right hemisphere is processed quickly. The dominance of the right hemisphere determines the presence of non-verbal, practical intelligence, the ability to draw and perceive the harmony of shapes and colors, an ear for music, artistry, and success in sports.

Conditions necessary for successful learning activities: creative tasks tied to the context, the opportunity to experiment, speech rhythm, group work, synthesis of new material, open-ended questions, social significance of the activity.

Equal hemisphere type. There is no pronounced dominance of one of the hemispheres. This ensures their synchronous activity in choosing a thinking strategy.

School teaching methods are focused mainly on the development of the left hemisphere and do not take into account the presence various types development of functional asymmetry of the hemispheres, as well as the difference between boys and girls in the rate of development of the left hemisphere. Therefore, in best conditions Left-hemisphere and equal-hemisphere girls find themselves in the most disadvantageous position, and right-hemisphere boys find themselves in the most disadvantageous position.

Currently, the number of children with reduced activity of the left hemisphere is growing. Such children exhibit an inability to assimilate new material, an inability to read and write adequately, and rearrangement of words, signs, signs, and phenomena. Sometimes they are “blind” to entire phrases. The described condition is called “dyslexia,” which translated from Greek means “denial of a word.” With dyslexia, the ability to verbalize spatial representations suffers, immaturity of visual and graphic skills, and weakness of verbal and logical thinking are revealed. The tasks that are most difficult for children with damage to the right hemisphere (constructive, orientation in the schematic representation of spatial relationships, stereognosis) are performed by the majority of children with dyslexia at the level of healthy peers. Left hemisphere failure, both at the functional and morphological level, can be caused by hyperfunction of the right hemisphere, which suppresses the maturation and functional activity of the left hemisphere.

Thus, difficulties in mastering reading in children are associated with a violation of optimal interhemispheric interaction. In older preschoolers and first-graders, at the beginning of the year, the functional superiority of the right hemisphere over the left is noted. At the end of the first year of study, the left hemisphere becomes the leading hemisphere. In this case, reading acquisition occurs without complications. Children who start school with the left hemisphere dominant in terms of activity level develop dyslexia. At the same time, the reading pace is sharply slowed down, but few mistakes are made. The same thing happens with those students who start learning with the right active hemisphere, but there is no change in the activity of the hemispheres by the end of the year (R-type of dyslexia). In this case, the reading pace is relatively high, but there are many errors. Normally, the hemisphere leading in activity should change from right to left within a year. The need for such a reversal of interhemispheric balance is due to the fact that initial stage mastering literacy and graphic symbolism, the functionally greatest load falls on the brain systems responsible for the perceptual processing of visual-spatial information (learning graphemes).

Attempts to exert psychological or disciplinary influence on a student with dyslexia lead to negative consequences. Attempts to speed up the pace of reading acquisition have an unfavorable effect: this almost always worsens reading impairments. Dyslexia is often accompanied by dysgraphia.

In the vast majority of children, dyslexia could be prevented by choosing the optimal method for them (analytical-synthetic or visual) and pace of learning.

To ensure the harmonization of a child’s mental activity, a differentiated system for selecting corrective techniques is necessary in accordance with the type of hemispheric asymmetry. To develop interhemispheric connections, as well as to develop the right and left hemispheres, you can use sets of kinesiological exercises.

Diagnostics of indicators of interhemispheric interaction

Sample N.I. Ozeretsky on the dynamic praxis “Fist-rib-palm”

The child is shown three positions of the hand on the plane of the table, successively replacing each other:

Palm on a plane

Palm clenched into a fist

Palm with edge on the plane of the table,

Again, straighten your palm on the plane of the table.


The child performs the first test together with an adult, then repeats it from memory 8-10 times. The test is performed first with the right hand, then with the left, then with both hands together.

The task is available for children 6 years and older. This test is sensitive to two types of errors. In the first case, switching from one movement to the next in an automated mode suffers: the child repeats himself or takes long pauses between movements. In the second case, children confuse the sequence of movements or miss some of them.

Developing precision of finger movements and the ability to switch from one movement to another

The child is asked, without looking at his hand, to follow the adult in reproducing various finger poses:

All fingers are straightened and closed, the palm is turned forward;

The 1st finger is raised up, the rest are collected into a fist;

The index finger is straightened, the rest are collected into a fist;

The 2nd and 3rd fingers are arranged in a V shape;

The 2nd and 5th fingers are straightened, the rest are gathered into a fist;

The 2nd and 3rd fingers are crossed, the rest are gathered into a fist;

The 2nd and 3rd fingers are straightened and arranged in the shape of the letter Y, and the 1st, 4th and 5th fingers are collected into a fist (“bunny”);

The 1st and 2nd fingers are connected by a ring, the rest are straightened.


Development of voluntary speech organ skills

The child learns to pronounce various sounds thanks to good mobility and differentiated functioning of the organs of the speech apparatus. Accuracy, strength, range of movements develop in the child gradually. Adults can help him with this by performing articulation gymnastics.

Articulatory gymnastics promotes the development of movements of the speech organs necessary for the correct pronunciation of sounds and for combining simple movements into complex articulatory structures of various phonemes.

The child is asked to perform 11 actions by imitation:

1) Smile -


2) Puff up your cheeks -


3) Make the lips a tube “U” -


4) Make your lips as if pronouncing the sound “O” -


5) “Roll nuts on your cheek” -


6) Stick out your tongue with a spatula -


7) Raise the tip of your tongue up and place it on your upper lip -


8) Place your tongue on your lower lip -


9) Place the tip of your tongue in the right corner of your mouth -


10) Place your tongue in the left corner of your mouth -


11) Stick out your tongue and make your tongue narrow -

Development of the skill of orientation in the body diagram

1. The child is asked to reproduce the movements performed by an adult sitting opposite him: touch his right ear with his left hand, touch his left eye with his right hand, touch his right eye with his right hand, etc. The task can be used for children 9 years of age and older. Its implementation requires mental spatial reorientation to overcome the tendency to mirror reproduction.

2. Easy orientation. Instructions: “Raise your left hand (you only need to start with your left hand), show your right eye, your left leg.” If the task is completed, then move on to the next one; if not, stop.

3. Instructions: “Grip your right ear with your left hand, your right ear with your right hand, your left ear with your right hand, show your right eye with your left hand.”

Exercises to develop interhemispheric interaction

The proposed exercises improve mental activity, synchronize the work of the hemispheres, help improve memorization, increase stability of attention, and facilitate the writing process.

The duration of classes depends on age and can range from 5-10 to 20-35 minutes. in a day. You need to exercise daily. The duration of training for one set of exercises is 45–60 days. It is advisable to take a break (two weeks) between complexes.


COMPLEX No. 1

Ring. Alternately and as quickly as possible, you need to move your fingers, connecting the index finger, middle finger, etc. in a ring with the thumb.


The exercise is performed in direct (from the index finger to the little finger) and in the reverse (from the little finger to the index finger) order. First, the exercise is performed with each hand separately, then together.

Fist-rib-palm. Three positions of the hand on the plane of the table successively replace each other. Palm on a plane, palm clenched into a fist, palm with an edge on the plane of the table, straightened palm on the plane of the table; performed first with the right hand, then with the left, then with both hands together. Number of repetitions – 8-10 times. When mastering the program or if there is difficulty in performing it, the child helps himself with commands (“fist-rib-palm”), pronouncing them out loud or silently.


Mirror drawing. Place a blank sheet of paper on the table. Ask the child to take a pencil or felt-tip pen in both hands. Ask him to draw mirror-symmetrical drawings and letters with both hands at the same time (according to the proposed model).

Ear-nose. With your left hand, grab the tip of your nose, and with your right hand, grab the opposite ear. Simultaneously release your ear and nose, clap your hands and change the position of your hands “exactly the opposite.”


COMPLEX No. 2

Instructions:“Knock on the table with a relaxed hand of your right hand, and then with your left hand.”

Instructions:“Leaning on the table with your palms, bend your elbows halfway. Shake your brushes one by one.”

Instructions:“Connect the end phalanges of the straightened fingers. Using the fingers of your right hand, press firmly on the fingers of your left, then vice versa. Practice these movements for each pair of fingers separately.”

Instructions:“Tap each finger of your right hand on the table, counting “1, 1-2, 1-2-3, etc.”

Instructions:“Fix the forearm of your right hand on the table. Using your index and middle fingers, take a pencil from the table, lift it up and lower it. Do the same with your left hand."

Instructions:“Roll out a small lump of plasticine on the board one at a time with the fingers of your right hand, then your left.”

Instructions:“Rotate the pencil first between the fingers of your right hand, then your left (between the thumb and forefinger; index and middle; middle and ring finger; ring and little finger; then in the opposite direction).”

Instructions:“On the command “Ear!” grab your ear, on the command “Nose!” - grab your nose.” The adult not only gives these commands, but also performs the movements together with the child, sometimes making intentional mistakes and provoking him to make incorrect movements.


COMPLEX No. 3

Instructions:“Standing, lower your arms, take a quick breath, pulling your hands to your armpits, palms up. Then, exhaling slowly, lower your arms along your body, palms down.”


Instructions:“Standing, make several strong swings of your arms, spreading them to the sides. Close your eyes and imagine that you are flying, flapping your wings.”


Instructions:“Run around the room, wave your arms and scream loudly. On command, stop and relax.” The exercise can be performed while sitting or lying on the floor, swinging your arms and legs.

Instructions:“Press your palm to the surface of the table. First in order, and then randomly raise your fingers one at a time and call them.”

Instructions:“Get on all fours and crawl without touching the objects placed on the floor. Cross your arms."

Instructions:“Sit on the floor, stretch your legs in front of you. Make movements with the toes of both feet, slowly bending and straightening them, first together, then alternately.”

Group gymnastics may be offered for classes with a group of children.

Group gymnastics

The children go to the middle of the room. The presenter tells them: “Today we are performing unusual gymnastics. Each of you can control your body well. Let's start!

1. Warm up in a circle. Children perform movements while standing in a circle:

Instructions:“You are awakened kittens - stretch your paws, release your claws, raise your faces.”


Instructions:“And now you are tigers sneaking in the jungle - let’s walk on our tiptoes, silently, carefully.”

Instructions:


Instructions:“The wind blew and tore off the leaves - they flew easily, smoothly: you run on your toes in a circle and lightly sway your hands with your arms spread to the side.”

Instructions:“Let’s take a deep breath and turn into balloons - we jump up and take off softly, smoothly, reaching up towards the sun: our arms rise up through our sides, lifting on our toes.”


Instructions:“Let’s jump like hares to become dexterous and strong: light jumps are performed, arms are bent at the elbows, hands are lowered freely.”


Instructions:“Now we are pendulums – heavy, bulky – let’s swing from side to side: feet shoulder-width apart, hands on the belt, bending with the heel off the floor.”

Instructions:“Now we are pilots - let’s start the plane’s engine, spread our wings and fly: we run in a circle, with our arms spread to the sides.”

Instructions:"Flows clear water– softly, smoothly: “waves” are performed alternately with the right and left hands, swinging the arms to the center of the circle, “waves” in front of oneself.”

Instructions:“We walk through the thicket sharply, clearly” - the children march with high knees and sweeping arm movements.

Instructions:“Turning into a rag doll” - children raise their arms up through their sides. Consistently relax your hands, bend your elbows, lower your arms freely along your body, and lower your head. Then the body is tilted, the knees are slightly bent.

Instructions:“We fly like butterflies - easily, gracefully: we spin on our toes.”


Instructions:“We are resting” - children stand motionless, holding hands, eyes closed.

Instructions:“Let’s drip like a fine and frequent rain” - running on your toes is quick and easy.


Instructions:“Let's fly like a mischievous sparrow” - small and frequent swings of the arms, light running on the toes.


Instructions:“And now let’s fly like eagles - leisurely, head raised, back straight, leisurely swings of arms spread to the sides, running in a circle at a moderate pace.”

Instructions:“We walk like an old grandmother: our back is bent, one hand is on the lower back, the other is leaning on an imaginary stick, we walk slowly.”


Instructions:“Let’s jump like a cheerful clown, fervently, joyfully” - the children, moving in a circle, perform jumps.


Instructions:“Let’s sneak up carefully, like a cat to a bird: we walk on our toes, silently, insinuatingly, softly.”


Instructions:“Let’s feel the bumps in the swamp - carefully, carefully: hands on the belt, an extension step is performed.”

Instructions:“We fly like Baba Yaga on a broom, dashingly, quickly” - children run around the room, holding on to an imaginary broom.

Instructions:“Let’s joyfully run towards mother” - the children quickly run up to the leader.


2. Small seed. The presenter invites the children to turn into a small seed.

The children curl up into a ball on the floor, remove their head and cover it with their hands.

The “gardener” treats the seeds very carefully, waters them, and pats the children on the head.

With the warm spring sun, the seed begins to grow slowly, the stem grows: the children, at the sign of the leader, raise their heads and straighten up.

Branches with buds appear: children spread their arms to the sides, fingers clenched into fists.



A joyful moment comes - the buds open: the children unclench their fists, and the sprout turns into a beautiful flower, then the flower becomes prettier, smiles at the neighboring flowers - following the example of the leader, the children smile at each other.


The flower bows to its neighbors, lightly touches them with its petals: the leader invites the children to touch their comrades with their fingertips.

But then the wind blew, autumn is coming. The flower swings in different directions, fights against bad weather: children tilt left and right, feet shoulder-width apart, arms spread to the sides, hands freely lowered.

The wind tears off petals and leaves: children bend their arms at the elbows, then freely lower them along the body, lowering their heads. The flower bends, bends towards the ground: tilted down, arms hanging freely.

The winter snow has started to fall. The flower has again turned into a small seed: the children squat down again and cover their heads with their hands. The snow has covered the seed, it is warm and calm. Soon spring will come again, and it will come to life.


3. Airplanes


"Motor". Starting position – legs parallel, arms down. Raise your arms forward, rotate your arms bent at the elbows one around the other, return to the starting position.

"Pump". Starting position – feet shoulder-width apart, hands below. Lean forward, alternately raise and lower your arms, bent at the elbows, return to the starting position.

"Wheel repair" Starting position – legs parallel, arms down. Raise your right knee, slam it with both hands, and lower it. Perform the same movement, but raise your left knee.

"Planes are taking off." The starting position is the same. Sit down, extend your arms to the sides, stand up.

"Planes are flying." The starting position is the same. Raise your arms to the sides. Lower.


4. Heron


"A heron takes a frog out of a swamp." Starting position: feet shoulder-width apart, left hand on the belt, right hand below. At 1–2 – bend over, touch the toe of your left foot with your right hand, do not bend your knees, at 3–4 – return to the starting position. Same for the other leg.

"The heron stands on one leg." Starting position: hands on the belt, at 1–2 – spread your arms to the sides, raise your right leg, at 3–4 – return to the starting position. Same for the other leg.

"The heron swallows the frog." Starting position: squat on your knees or heels. On 1 - raise your arms up and clap above your head, at the same time raise yourself on your knees, on 2 - return to the starting position.

"The heron stands in the reeds." Starting position: hands on the belt. At 1–2 – lean to the right, at 3–4 – return to the starting position. Same to the left.

"The heron is jumping." Starting position: hands on the belt. On 1 – jump the right leg forward, the left leg back. On 2 – return to the starting position. On 3 – jump the left leg forward, the right leg back. On 4 – return to the starting position. For 4 counts – walking in place.


5. Repeaters. The leader performs simple movements, for example, clapping his hands, knees, stomping his feet, nodding his head, etc. Children repeat all the movements after the leader, trying to react as quickly as possible to his change of movements. Anyone who does not notice the change in movement in time is eliminated from the game.


Final part. Breathing exercises: for 4 counts – deep breath, for 4 counts – slow exhalation (“deflated ball”); for 2 counts - a sharp deep breath, for 4 counts - a slow deep exhalation; for 4 counts – take a deep breath (“whole chest”), for 2 counts – sharp exhalation(“belly”)

Section 3. Seating when writing

In older preschoolers, the large muscles of the trunk and limbs are already quite well developed. Small muscles of the back that provide support correct posture when writing and reading, they are not yet sufficiently developed. In addition, many children do not know how to sit properly at the table. Forced long sitting in the classroom and incorrect posture lead to severe physical fatigue. contribute to poor posture, development of scoliosis, deformation chest, disorders of the cardiovascular and respiratory systems. For successful schooling, it is necessary that the child be able to sit correctly at the table and hold a pen (pencil) correctly.

Correct fit

When seated correctly, the student should sit straight, the chest does not touch the table (the distance between the body and the edge of the table is 3–5 cm), both shoulders should be at the same height. Legs bent at right angles at the knees, resting the entire foot on the floor or on a footrest. When writing, your hands should be positioned so that your elbows protrude slightly beyond the edge of the table and are at a distance of about 10 cm from the body. The head is tilted slightly to the left for children writing with their right hand (Fig. a), or slightly to the right for children writing with their left hand (Fig. b). The notebook is positioned obliquely to the left (for right-handed people) or to the right (for left-handed people) so that the lower corner is opposite the chest. The student holds the notebook with his free hand (Fig. a, b, c) and, as the page is filled out, moves it upward with this hand, while the lower corner of the page is still directed towards the middle of the child’s chest. If a child sits incorrectly at the table when performing written exercises, this leads to a significant increase in the static load on the back muscles and shoulder girdle, which is one of the reasons for increased fatigue among beginning schoolchildren. Improper sitting at the table can also lead to serious health problems: curvature of the spine, decreased vision, diseases internal organs and etc.



Correct posture when writing a child writing with his right (a) and left (b) hand.


The correct position of the notebook (a) and the hands of a right-handed (b) or left-handed (c) child when writing.

How to hold a pen (pencil) correctly

When writing, a ballpoint pen or pencil should be held at an angle of 50–60 degrees (the opposite end of the handle is directed towards the shoulder) with three fingers: thumb, index and middle: the thumb and middle hold the pen, and the index holds it on top. The handle should be held loosely, without gripping it too tightly and without bending the index finger too much. The distance from the writing ball to the index finger should be about 2 cm. The support of the hand when writing is the nail phalanx of the slightly bent little finger and the lower part of the palm. The majority of the palm of the hand should be facing the surface of the table.

Skill building correct landing and letters in left-handed children

When developing the skills of correct posture and writing, special attention should be paid to left-handed children. There are several ways to write with your left hand.

First way(Fig. a): a mirror image of the “right-handed” hand position when writing. It is most often used by children. It is believed that this position of the hand seriously complicates the learning process: since all the samples in the notebooks (copybooks) are located on the left, when writing, the child covers them with his hand and cannot focus on them when performing graphic exercises. Therefore, with this method of writing, left-handed children often experience a decrease or increase in the size of letters and incorrect spelling of graphic elements.

Second way(Fig. b): the left hand with a handle is located above the line. This method gives the child the opportunity to focus on a sample or previously written text and reduces the number of graphic errors when writing. Left-handed children most often come to this way of writing on their own.

Third way(Fig. c): the left hand with a handle is located under the line. In this case, the fulcrum of the writing hand is only the nail phalanx of the left little finger; the hand is almost completely suspended. With this method of writing, the child sees the sample clearly, he does not have to twist his hand, and what was previously written does not become blurred. True, with this method there is a violation of the generally accepted requirements for tilting the letter to the right.


Section 4. Development of correct coordination of movements, speed of reaction and dexterity

To fully prepare a child for school, it is necessary to develop not only those parts of the musculoskeletal system that provide a full-fledged letter, but it is important to ensure the development of coordination of movements, motor dexterity and activity, which are the basis of the full physical development of the child. Sedentary, motorally awkward children get tired faster, cope with school loads worse than their mobile, active peers.

Test to determine the level of dexterity development

On the treadmill (10 m), 8 pins are placed at a distance of 100 cm. Moreover, the distance between the start and the first pin, as well as between the last pin and the finish line is 150 cm.

The instructor gives the children a task - to run as quickly as possible between the pins and not hit them. On command, the child runs to the finish line. At this time, the instructor, being at the finish line, records quantitative indicators. 2 attempts are made.

Quantitative indicator: time in seconds spent completing the task.

Qualitative indicators:

1. Straightness, rhythmic running.

2. Accuracy of movement (running without touching the pins).

Movement Coordination Test

Balls with a diameter of 20 cm are prepared. The instructor invites the children to hit the ball without leaving their place.

Quantitative indicator: number of throws and strikes: 35–40.

Quality indicator: the ability to catch the ball with arms bent at the elbows and near the chest.


The development of proper coordination, reaction speed, motor dexterity and mobility is possible through the use of outdoor games.

The proposed outdoor games are intended for children of different ages (from 4.5–5 years old); both groups of children and members of the same family, for example, children together with their parents, can participate in them. Parents can also act as a facilitator. The proposed games are convenient because the range of their use is also quite wide - from family celebrations to organized activities. They can also be used in group classes in kindergarten and physical education classes in primary school. You can use the proposed games as when teaching children fresh air, and indoors.

Outdoor games

turnip

A previously prepared prop can act as a turnip - an inverted basin, a basket, etc. The “turnip” is covered with a piece of white or yellow fabric, and a vessel with a bunch of leaves, a flower pot or some other attribute that represents the tops of the plant is placed on top in the middle. turnips. The vessel is draped in such a way that only the greenery is visible.

Having prepared the turnip, they begin the game.

Children stand in front of the turnip. Previously, they can count the number of steps to the turnip. Then the children are blindfolded and go to the turnip. The essence of the game is that blindfolded children, as a rule, do not find the turnip; their incorrect searches are very fun for everyone present - both players and spectators.

The one who finds the turnip first wins. If this does not happen, then after some time the bandage is removed and new participants are included in the game.

If, in addition to children, parents are also included in the game, this creates an even more fun atmosphere.


We are funny guys

Participants in the game stand on one side of the court or against the wall of the room. A line is drawn in front of them. The same line is drawn on the opposite side of the site. To the side of the players, approximately halfway between the two lines, is the catcher.

Participants say in chorus:

We are funny guys

We love to run and play.

Well, try to catch up with us!

One, two, three - catch it!

After the word “catch,” the participants run to the other side of the site, and the catcher catches up with the runners. The one he catches (touches) before the runner crosses the line on the opposite side of the site is considered caught and sits down next to the catcher. After two or three runs, those caught are counted and a new catcher is chosen.


Sly Fox

The players stand in a circle at a distance of one step from each other. Outside the circle is the “fox’s house.” The participants close their eyes, and the leader walks around the circle behind the participants and touches one of the players, who becomes the “fox.” Then the presenter invites the players to open their eyes and look carefully, which of them is the “sly fox”? Will she give herself away in some way?

The players ask three times (with short intervals), first quietly and then louder: “Sly fox, where are you?” At the same time, everyone looks at each other.

When all the players (including the “sly fox”) ask for the third time: “Sly fox, where are you?” - the “fox” quickly jumps out into the middle of the circle, raises his hand and says: “I’m here!” All the players scatter around the site, and the fox catches them. The caught one, that is, the one whom the “fox” touched, she takes to her “house”. A player who runs out of the court (circle) is considered caught.

After the “fox” has caught two or three participants, the leader commands: “In a circle!” The players form a circle again and the game resumes.

The “Fox” begins to catch players only after the players ask in unison for the third time:

“Sly fox, where are you?” - and the “fox” will answer: “I’m here!” If the “fox” gave itself away earlier, then it is considered a loser, and in this case the host chooses a new “fox”.


Sonya

The players stand in a circle. By drawing lots (or counting), a “dormouse” is chosen. “Sonya” stands in the center of the circle. He is blindfolded. All other players, one by one, try to quietly approach him, touch him with their hand and say: “Wake up, sleepyhead!”

If the “dormouse” senses that someone is approaching him and touches him with his hand first, then the person caught takes the “dormouse’s” place.

If the player managed to get closer to the “Sonya” unnoticed, then he gets one point. The one who scores the most points wins.


Hen and chicks

The players line up in two lines - these are “chickens”. A “chicken” stands at the front of each chain. The chain is lined up opposite another chain. At the leader’s sign, the “chickens” try to touch the “chickens” from the other chain and, at the same time, protect the “chickens” of their side. The “chicken” touched by the “chicken” of another chain goes into her chain. The winner is the “hen” who has more “chickens” at the end of the game.


Magic word

Participants stand in a circle. The presenter asks if everyone remembers the magic word “please”. The game begins. At the command of the leader, the players follow him and repeat various movements. Before each command, the host repeats the magic word “please”: “Please sit down”, “Please put your hands on your waist”, etc. Players follow all these commands.

In the event that the host did not say the magic word, you do not need to execute the command. The player who made a mistake must enter the circle and complete some task - tell a rhyme, sing, jump, etc.


By the bear in the forest

There is a “bear” in the “den” (under a bush, in the corner of the room, etc.). Participants with baskets in their hands “gather mushrooms and berries” and say: “I take mushrooms and berries from a bear in the forest”, repeating this several times. After a while, the host says: “And the bear sits in the den and growls at us, growls ...” The “bear” begins to growl and crawls out of the “lair”. At the sight of him, the players run away. The “bear” chases them and tries to catch someone. The one who is caught becomes a “bear”.


Where's the clock?

The number of players is not more than four. The players line up near the wall. All participants in the game, except the leader, are blindfolded. The host hides an alarm clock somewhere. The players begin to listen to the ticking of the clock and carefully go to the place where this moment there are clocks. The presenter quietly and quietly changes the place where the clock is hidden 2-3 times per game. The first player to get within a meter of the clock gets a point. The one who scores the most points wins.


Cat and mouse

Two children are blindfolded. One of them is “cat”, the other is “mouse”. Children stand at the table, holding the edge with one hand. The “cat” is looking for the “mouse”, that is, on command they begin to move around the table - the “mouse” tries to run away, the “cat” wants to catch up. You cannot let go of the hand with which the players are holding the edge of the table. The presenter times the time. If in three minutes the “cat” caught the “mouse”, she won, if not, then the “mouse” won.


Answer fast

Participants line up in a circle or line. The presenter throws a ball to one of them and names a color: for example, green. The one to whom the ball was thrown must name an object of this color: for example, grass or a cucumber. And so the game repeats itself. The participants to whom the host throws the ball are randomly selected from among the players.

The game can be diversified by choosing as a basis not a color, but the quality or shape of an object: round, square, wooden, hot, etc.


Pirate Island

A circle is drawn. This is a pirate island. All players stand outside the circle. Participants are not allowed to move more than two steps away from the circle. At the leader’s command, all participants try to push each other into the circle. Whoever stands inside the circle with both feet must remain there, but he can also draw other participants into the circle. The game ends when most of the participants are inside the circle. Those who remain outside the circle win.


Retightening

1 option

All participants are divided into two teams of equal size and strength. The players of each team, clinging with their elbows, form two chains. The strongest and most dexterous players are placed in front of the chain. Having stood opposite each other, the leaders of both teams also grapple with their arms bent at the elbows and pull each in their own direction, trying to break the enemy’s chain or tighten it beyond the determined line. The team that succeeds wins.

Option 2

Before the start of the game, all participants are divided into pairs so that each pair has players approximately equal in strength and weight. Each pair receives a strong stick about a meter long. The participants of each pair sit down opposite each other, and each takes the end of the stick. At the signal of the leader, each player pulls the opponent towards himself. The winner is the one who manages to knock down an opponent or at least make him get off the ground. The game requires both strength and dexterity.


Wolves in the ditch

Denoted "ditch" - the space between two parallel lines about a meter wide. “Wolves” are selected - two or three players, the rest of the players are “sheep”. “Wolves” climb into the “ditch”, and “sheep” graze on both sides of the ditch. From time to time the “sheep” must jump from one side of the ditch to the other. The task of the “wolves” is to catch the “sheep” (touch). If the “wolf” touches the “sheep”, then he gets a point. But after this the “sheep” continue the game. After some time, new “wolves” are appointed. At the end of the game, the winner is determined by counting the points scored.


Horses

Players are divided into two teams of equal numbers. A line is drawn on the ground. Teams stand on opposite sides of the line. By drawing lots it is determined which of the teams will be the “horses” and which will be the “drivers”.

The “horses” firmly hold hands, approach the line and say in chorus: “Ta-ra-ra, ta-ra-ra, the coachmen have left the yard.”

After this, the “horses” run away, and the “coachmen” catch them. So that the “coachmen” know who needs to be caught, the “horses,” until they are caught, must constantly click their tongue loudly: “Clunk-clack-clack!”

After the “coachmen” have caught all the “horses,” the players change roles.


Bell

Participants play this game in turns. The player is given a bell on a long string. You have to walk a certain part of the path or approach a designated place without the bell ringing.


Running with potatoes

Each player is given a spoon containing a potato. The task is to run to the line and back as quickly as possible without dropping the potato. If a potato falls while running, the player can pick it up and put it back in the spoon and continue running. The player who gets there first wins. To complicate the task, you can choose not a straight path, but run along a winding path or with small obstacles.


Aliens

The players will be divided into two teams and stand opposite each other at a distance of 5-6 meters. At a distance of 10–11 meters, another line is drawn - the “country” where the “foreigners” came from. The team of “foreigners” begins. Taking a step towards the opponents, they say: “We have arrived.” The opposing team asks: “Where did you come from?” “From Japan (Hungary, Italy, America, etc.).” Opposing team: “What is your profession?” In response to this question, the team of “foreigners” must, without words, only with facial expressions and gestures, show what they are doing. The point of the game is that the participants try to convey those characteristic gestures and situations that exist in each profession. The opposing team is trying to guess the profession of the “foreigners.” As soon as the profession is guessed, the “foreigners” begin to flee to their “country”, and their opponents pursue them. Anyone who is caught before he can reach his line becomes a “prisoner.” Then the roles change. The game is repeated several times. The team with the most prisoners wins.


Bird Market

6–7 people play. One is the “seller”, the other is the “buyer”, the rest are “chickens”. The “chickens” squat down and clasp their hands around their knees.

The “buyer” approaches the “seller” and asks: “Are there any chickens for sale?” - "Eat". - “Can I take a look?” - "Can". The “buyer” comes behind the “chickens”, touches them one by one and says: “I don’t like this one, this one is too skinny, this one is too small... But I’ll take this one.”

The “seller” and the “buyer” lift the selected “chick” by both elbows into the air, swinging it, saying: “Good chicken, doesn’t loosen his arms, doesn’t laugh.”

The “chicken’s” task is to remain serious and not let go of his hands. If he starts smiling, laughing, or uncrosses his arms, he is out of the game.


Father Frost

Santa Claus is selected by counting or drawing lots. Participants scatter around the site, Santa Claus chases them and tries to touch them, that is, to “freeze” them. The “frozen” person must stop in the position in which he was “frozen.” The game ends when it is "frozen" a certain amount of players (by agreement). Then a new Santa Claus is chosen, and the game is repeated.


Shuttle

All participants in the game stand in pairs facing each other and join hands. This is the "gate". Starting from the last pair, all participants take turns running or passing under the “gate,” holding hands, and stand in front. You need to run so as not to hit the “gate”. The pair that hits the “gate” is eliminated from the competition, but continues to participate in the game as the “gate.”

The game is repeated several times. The height of the gate changes every time. At the beginning of the game, participants keep their hands at shoulder level, and at the end - at waist level. The lower the “gate”, the more difficult it is to pass under it. The game ends when all pairs pass under the lowest gate.

The game can be complicated in this way: the participants, running under the “gate”, must carry various objects - a bucket of water, a ball in a spoon, etc.


Paths

“Tracks” are drawn on the ground - lines of different shapes containing complex turns. The length of the path must be at least three meters. Participants run along the tracks, making difficult turns while maintaining balance. You need to run, stepping exactly on the line and not bumping into the person running in front.

The game can be played as a competition. To do this, draw several paths of the same shape, parallel to each other, as in a stadium, and the participants, at the command of the leader, run along the tracks in a race. The one who arrives first wins.


Cockerels

Participants break into pairs and stand 3–5 steps apart from each other. Couples depict fighting cockerels - jumping on one leg, they try to push each other with their shoulders. Pushing with hands is prohibited. The one who loses his balance and stands on the ground with both feet is out of the game. The winners from different pairs unite and continue the game. Before the start of the game, the participants agree on how they will hold their hands - behind their backs, on their belts, support their knees bent leg or they should cross their arms over their chest.

“Cockfighting” can also be done in a squat, with your hands on your knees.


Coachmen and horses

The participants of the game are divided into threes - two “horses” and one “coachman”, who leads them from behind by the “reins” - ribbons. The presenter gives various commands during the game, and the “coachman” makes sure that the “horses” carry them out correctly. The presenter, in turn, makes sure that the “coachman” does not miss the “horses” mistake. For this, the “coachman” receives penalty points (or gives away a forfeit, which at the end of the game must be redeemed - read a poem, sing, etc.). During the game, the “horses” walk, trot, gallop, turn right, left, stand still, etc. At the leader’s command, “Horses, in different directions!” The “coachman” lets go of the “reins” and the “horses” quickly run away in different directions. At the command “Horses, find your coachman!” The “horses” return to their “coachman” as quickly as possible. At the command “Coachman, find your horses!” The “coachman” gathers his pair of “horses” together. When the game is repeated in each trio, the “coachman” changes.

Section 5. Development of a sense of rhythm

Speech therapy rhythm involves correction of coordination of movements and speech. The connection of movements and speech normalizes the state of muscle tone, helps to get rid of emotional and motor tightness, coordination of breathing processes, voice leading, articulation. It helps to regulate the rhythm of speech, prevent and overcome such speech disorders as a violation of the pace of speech, mainly its acceleration, blurring, blurred sound pronunciation, stuttering.

Logorhythmic exercises contribute to the development of the tempo and rhythm of speech breathing, the development of articulatory motor skills, strengthening facial muscles, the formation of a phonemic system, the development of tempo-rhythmic and melodic-intonational characteristics of speech, the development of the ability to combine movements and speech, coordinate them, subordinate them to a single rhythm, have a beneficial effect on the formation of spatial representations.

The syllable-by-syllable speech rhythm is uniformly repetitive; in terms of its mechanisms, it is related to walking, breathing, and heartbeat.

All exercises are easy to perform, aimed at coordinating speech with movement. The child in conjunction with the adult for each syllable synchronously makes movements with his arms, legs, palms.

For example, a child reads a well-known poem by A. Barto, clapping each syllable with his palms:

U-RO-NI-LI-MI-SHKU-ON THE FLOOR O-TOR-VA-LI-MI-SHKE-LA-PU

Or he walks in place, chanting:

NO, - WE-RE-SHI-LI ABOUT-KA-TIT-KO-TA-VMA-SHI-NOT

Or smoothly conducting with one or two hands:

AND-CHICK-CHOCK, – KA-CHA-ET-SAI-HA-ET – GO-WALKING

The child can be asked to imagine himself as an artist who reads poetry on stage in a children's theater and is listened to attentively by small children. Thanks to this, speech will become more expressive and louder, and the activity will turn into an interesting game.


The formation of spatial representations is associated with the use of different systems of orientation in space. The most ancient orientation system is the body diagram.

The formation of spatial concepts in a child is one of the most important conditions for a child’s successful educational activity.

The first step should be to mark the child's left hand. You can wear a watch or bracelet on it. Thus, the child acquires a “point of reference” and receives support for further manipulations with the external space. The child knows that on the left is where the bracelet is. The top is the head, the ceiling, the sky, the sun. Bottom - legs, floor, ground.

The basic exercise for the formation of spatial concepts is that each exercise is “fixed” with a certain movement. For example, up, forward, backward, right and left - a simple step or jump on two legs, a step or jump with a turn in the appropriate direction, down - squat. The concepts “further”, “closer”, “between”, “near”, etc. are fixed in a similar way.

Additionally, you can offer your child external landmarks, for example, if you stand facing the window, there will be a door on the right and a wall on the left.

The warm-up complex may include exercises to develop spatial concepts.

Jumping in place

– jumping on two legs with a turn of 180 degrees in both directions;

– jumping over a small object lying on the floor;

– jumping to the right and left on two legs or on one leg;

– jumping forward or backward on one leg or on two legs;

If jumping is difficult, the child can be asked to step over objects, move forward, backward, right, left.

Repeating the movements of the teacher or parents

Instructions: “What I will do with my right hand, you should also do with your right hand.”

An adult and a child stand opposite each other.

– show your left eye with your right hand;

– show your left ear with your left hand;

– show your left knee with your right hand, etc.

Motor dictation

– take one step forward two steps to the right;

– one step back two steps to the left;

– turn 180 degrees to the right, then to the left, etc.

Drawing up plans

– drawing up a room diagram;

– drawing up a class diagram;

– drawing up a route diagram;

- search for an object in the room according to the diagram proposed by an adult.

Awareness of motor abilities

– the plot “Desert” – imitation of movement on hot sand on a hot day;

– “Snake” plot – movements on the floor without using hands (on the stomach, on the back);

– plot “Frog” – jumping on all fours;

– the plot of “Tumbleweeds” – rolling and somersaults in different directions;

– plot “Hare” – jumps and transitions;

– “Bear” plot – slow, heavy, strong movements;

– plot “Fox” – smooth, flexible, fast movements;

– “Horse” plot – emphasis on the movements of the body and legs;

– plot “Tit” – small, short jumps, hand movements;

– “Swan” plot – smooth, graceful, wide movements;

– plot “Bird Yard” – children create images of poultry.

The instructor alternates both commands several times, arbitrarily changing the execution time of one and the other.

Section 7. Normalization of muscle tone and relaxation training

Normalization of muscle tone is one of the most important tasks in the formation of a child's motor skills. Deviation from normal tone may cause disturbances motor activity child and affects the course of his overall development.

Reduced muscle tone leads to a decrease in mental and motor activity of the child. An increase in tone, on the contrary, manifests itself in motor restlessness, emotional instability, and sleep disturbance.

Therefore, the child must be taught to manage his own muscle tone and teach him relaxation techniques, that is, relaxation.

To learn how to control muscle tone and master relaxation skills, you can offer the following types of exercises.

“Fire and Ice” – alternate tension and relaxation of the whole body. Instructions:"Fire!" – children begin intense movements with their whole body. Each child chooses the smoothness and intensity of movements arbitrarily. Instructions:"Ice!" – the children freeze in the position in which the team caught them, straining their entire body to the limit.


“Rag Doll” – children are asked to imagine that they are marionette dolls that hang on nails in the closet after the performance. Instructions:“Imagine being hung by your hand, by your finger, by your shoulder, etc.” The exercise is performed at an arbitrary pace.


“Washing clothes” - children perform intense movements with their hands, imitating the process of washing trousers. Instructions: children make smooth, wide movements with their hands, pretending to rinse their trousers in running water. After which the trousers must be wrung out, shaken and hung.


“Beach” - children are asked to imagine that they are lying on the warm sand and sunbathing. The sun is shining tenderly, a light breeze is blowing. Instructions:“You relax, listen to the sound of the surf, watch the play of the waves and the dancing of seagulls over the wave. Listen to your body. Are you comfortable? Try to relax as much as possible."


"Carpet plane". Instructions:“We lie down on a magic flying carpet. The carpet rises smoothly and slowly, carries us across the sky, rocks us, lulls us to sleep. A tired body is relaxed, resting. Fields, meadows, rivers, and lakes float by far below. Gradually the magic carpet descends and lands in your room. We stretch, take a deep breath, open our eyes, slowly sit down and carefully stand up.”

Exercises to redistribute muscle tone

Instructions:“Pass around: a glass of hot tea, a plate of soup, a bowl of wet laundry, a fluff, a hedgehog, a weight, a kitten.”


Instructions:“Come out and come in: like Pierrot, like Pinocchio, like Malvina, like a soldier, like Karabas Barabas, like Carlson, like Barmaley, etc.”


Instructions:“Depict movement in weightlessness - forward and backward; moving on hot sand in the scorching sun; tug of war; walking along a rocky path; through a marshy swamp; on moss; through snowdrifts through a blizzard; depict relaxation in the tall meadow grass, experience the pleasure of a light breeze.”

Instructions:“Depict the movements of animals. Imagine yourself as some kind of animal or bird and reproduce the movements.”

Instructions:“Picture a cook; photographer; artist, hairdresser, etc.”

Anishchenkova E. S. Finger gymnastics for the development of speech in preschool children. – M., 2006.

Anischenkova E.S. Speech therapy rhythm. – M., 2006.

Belova T.V., Solntseva V.A. Getting ready for school. M., 2007.

Zaikin M.S., Sinitsina E.I. 250 developmental exercises to prepare for school. – M., 2001.

Karelina I.O. Emotional development of children 5-10 years old. - Yaroslavl. 2006.

Nizhegorodtseva N.V., Shadrikov V.D. Psychological and pedagogical readiness of the child for school. – M., 2001.

Semenovich A.V. Complex method of psychomotor correction. – M., 1998.

Sirotyuk A.L. Correction of learning and development of schoolchildren. - M., 2002.

Stepanova O.A. Prevention of school difficulties in children. – M., 2003.

Uzorova O.V. Finger gymnastics. – M., 2003.

Notes

1

2

M.S. Zaikin, E.I. Sinitsina. 250 developmental exercises to prepare for school. – M., 2001.

3

AND ABOUT. Karelina. Emotional development of children 5-10 years old. – Yaroslavl 2006.

4

N.V. Nizhegorodtseva, V.D. Shadrikov. Psychological and pedagogical readiness of the child for school. – M., 2001.

5

A.V. Semenovich. Complex method of psychomotor correction. – M., 1998.